SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Superstardom in the US popular music industry revisited
5 references·13 citing·47 second hop
Superstardom in the US popular music industry revisited (2006)Superstardom in the US popular music indu…The Economics of Superstars (2009)The Economics of SuperstarsRockonomics: The Economics of Popular Music (2005)Rockonomics: The Economics of…The popular music industry (2001)The popular music industryVARIETY AND SUPERSTARDOM IN POPULAR MUSIC (1994)VARIETY AND SUPERSTARDOM IN P…Superstardom in Popular Music: Empirical Evidence (1991)Superstardom in Popular Music…The evolution of niche: variety in knowledge networks in the global music industry (2021)The evolution of niche: varie…Does music quality matter for audience voters in a music contest? (2020)Does music quality matter for…A Model Based Approach to Spotify Data Analysis: A Beta GLMM (2020)A Model Based Approach to Spo…Talent or popularity: What drives market value and brand image for human brands? (2019)Talent or popularity: What dr…Power Laws and Market Shares: Cumulative Advantage and the Billboard Hot 100 (2017)Power Laws and Market Shares:…North from here: the collaboration networks of Finnish metal music genre superstars (2017)North from here: the collabor…Past, present and future: music economics at the crossroads (2016)Past, present and future: mus…Stargazing: An integrative conceptual review, theoretical reconciliation, and extension for star employee research. (2015)Stargazing: An integrative co…Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music (2012)Trust the artist versus trust…“Selling less of more?” The impact of digitization on record companies (2012)“Selling less of more?” The i…A test of Rosen’s and Adler’s theories of superstars (2011)A test of Rosen’s and Adler’s…TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)TALENT AND/OR POPULARITY: WHA…Creative industries and the IPR dilemma between appropriation and creation: some insights from the videogame and music industries (2010)Creative industries and the I…All you need to know about the music business (1991)Piracy of Digital Products: A Critical Review of the Theoretical Literature (2006)Entertainment industry economics: a guide for financial analysis (2007)How Digitization Has Created a Golden Age of Music, Movies, Books, and Television (2017)The Strength of Weak Ties (1973)Social Learning Theory. (1978)The "What" and "Why" of Goal Pursuits: Human Needs and the Self-Determination of Behavior (2000)Consequences of Downward Envy: A Model of Self-esteem Threat, Abusive Supervision, and Supervisory Leader Self-improvement (2017)Hot shots and cool reception? An expanded view of social consequences for high performers. (2017)Neoliberal ideology in work and organizational psychology (2018)Network externalities, competition, and compatibility (1985)Standardization, Compatibility, and Innovation (1985)Estimating Vector Autoregressions with Panel Data (1988)The Returns to Scarce Talent (2012)When the crowd evaluates soccer players’ market values: Accuracy and evaluation attributes of an online community (2014)Beyond crowd judgments: Data-driven estimation of market value in association football (2017)Limited-dependent and qualitative variables in econometrics (1983)Rockonomics: the money behind the music (1989)ARTISTIC LABOR MARKETS AND CAREERS (1999)Stardom and Talent (2016)An Economic Theory of Clubs (1965)Hedonic Prices and Implicit Markets: Product Differentiation in Pure Competition (1974)Schooling, Experience, and Earnings (1974)Herd Behavior and Investment (1988)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Top Incomes in the Long Run of History (2011)The Nature of the Firm (1937)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)Against Intellectual Monopoly (2008)From pirates to subscribers: 20 years of music consumption research (2021)Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies (2022)The art of crowdfunding arts and innovation: the cultural economic perspective (2022)The Tacit Dimension (1997)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Cities and the Creative Class (2005)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Establishing a taxonomy of metal subgenres based on quantitative musical and thematic features (2022)On the Evaluation of Structural Equation Models (1988)Common method biases in behavioral research: A critical review of the literature and recommended remedies. (2003)PLS-SEM: Indeed a Silver Bullet (2011)A thematic exploration of human brands: literature review and agenda for future research (2020)Love the star, love the team? The spillover effect of athlete sub brand to team brand advocacy in online brand communities (2022)Predict the Value of Football Players Using FIFA Video Game Data and Machine Learning Techniques (2022)Information, Blockbusters and Stars? A Study of the Film Industry (1997)‘A Special Kind of City Knowledge’: Innovative Clusters, Tacit Knowledge and the ‘Creative City’ (2004)Survival of the hippest: life at the top of the hot 100 (2007)The internet and value co-creation: the case of the popular music industry (2013)
this work references cited by second hop

References

  • 2009The Economics of Superstars1,684 cited
  • 1991Superstardom in Popular Music: Empirical Evidence208 cited
  • 2005Rockonomics: The Economics of Popular Music201 cited
  • 2001The popular music industry95 cited
  • 1994VARIETY AND SUPERSTARDOM IN POPULAR MUSIC82 cited

Cited by

  • 2010TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR?241 cited
  • 2015Stargazing: An integrative conceptual review, theoretical reconciliation, and extension for star employee research.212 cited
  • 2019Talent or popularity: What drives market value and brand image for human brands?85 cited
  • 2017North from here: the collaboration networks of Finnish metal music genre superstars57 cited
  • 2016Past, present and future: music economics at the crossroads37 cited
  • 2012“Selling less of more?” The impact of digitization on record companies32 cited
  • 2012Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music20 cited
  • 2010Creative industries and the IPR dilemma between appropriation and creation: some insights from the videogame and music industries17 cited
  • 2011A test of Rosen’s and Adler’s theories of superstars15 cited
  • 2020

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

A Model Based Approach to Spotify Data Analysis: A Beta GLMM
13 cited
  • 2017Power Laws and Market Shares: Cumulative Advantage and the Billboard Hot 10012 cited
  • 2020Does music quality matter for audience voters in a music contest?10 cited
  • 2021The evolution of niche: variety in knowledge networks in the global music industry5 cited