Don't Want to Be This: The Elusive Sarah Kane

Abstract

Sarah Kane's plays are part of the outrage, conviction, and sorrow that was her life and death. Kane was a moral hard-ass who aimed to force others to think through the ethical paradoxes of their lives. She struggled to balance her mortal terror and moral vision. As Kane wrote: “Liverpool's [soccer player] Paul Ince publicly admits that he finds tackling more enjoyable than sex. Performance is visceral. It puts you in direct physical contact with thought and feeling.”

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 27 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.