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Yeh mulk hamara ghar : The 'national order of things' and Muslim identity in John Mathew Mattan's Sarfaroosh
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Yeh mulk hamara ghar : The 'national order of things' and Muslim identity in John Mathew Mattan's Sarfaroosh (2002)Yeh mulk hamara ghar : The 'national orde…The Nation and Its Fragments (2020)The Nation and Its FragmentsCan a Muslim Be an Indian? (1999)Can a Muslim Be an Indian?The Nation and Its Fragments (1994)The Nation and Its FragmentsNational Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)National Geographic: The Root…The Forest of Symbols: Aspects of Ndembu Ritual (1970)The Forest of Symbols: Aspect…Inventing a Muscular Global India: History, Masculinity, and Nation in Mangal Pandey: The Rising (2018)Inventing a Muscular Global I…Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity (2015)Interrogating Practices of Ge…Recovering the past in Jodhaa Akbar: Masculinities, Femininities and Cultural Politics in Bombay Cinema (2011)Recovering the past in Jodhaa…Nationalism and Hindi Cinema: Narrative Strategies in Fanaa (2009)Nationalism and Hindi Cinema:…Floating on Silent Waters (2009)Floating on Silent WatersDiscipline and Punish: The Birth of the Prison (1978)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Legal Production of Mexican/Migrant “Illegality” (2004)Regimes of Mobility Across the Globe (2012)Understanding Immobility: Moving Beyond the Mobility Bias in Migration Studies (2019)Mirrors of violence : communities, riots and survivors in South Asia (1992)National Identity in Indian Popular Cinema, 1947-1987 (1993)Bollywood cinema: temples of desire (2002)Historical Film and Hindu–Muslim Relations in Post-Hindutva India: The Case ofJodhaa Akbar (2016)Sanctity and scandal: The mythologization of mother India (1989)Bombay Films: The Cinema as Metaphor for Indian Society and Politics (1992)Explorations in History, Films and the Nation: A Study of the Representations of Kashmir Insurgency in the Hindi Mainstream Cinema (2014)A national cinema’s transnational aspirations? Considerations on “Bollywood” (2017)Feminism without Borders: Decolonizing Theory, Practicing Solidarity (2003)Bananas, Beaches and Bases (2014)Gender and Nation (1997)Good Muslim, Bad Muslim: A Political Perspective on Culture and Terrorism (2002)The Image of Man: The Creation of Modern Masculinity (1997)Colonial Masculinity: The "Manly Englishman" and the "Effeminate Bengali" in the Late Nineteenth Century (2000)Economic and Political Weekly (2017)Liminal Legality: Salvadoran and Guatemalan Immigrants' Lives in the United States (2006)Qualitative methods for health research (2009)Voices of Modernity (2003)Environmentality: Technologies of Government and the Making of Subjects (2005)Imperialism, Sovereignty and the Making of International Law (2005)Conceptions of Citizenship in India and the ‘Muslim Question’ (2009)SOUTH ASIAN HISTORIES OF CITIZENSHIP, 1946–1970 (2012)Citizen Refugee (2018)Race and the Education of Desire (1995)Toward a Global Idea of Race (2010)
this work references cited by second hop

References

  • 1970The Forest of Symbols: Aspects of Ndembu Ritual4,286 cited
  • 1994The Nation and Its Fragments3,314 cited
  • 1992National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees2,489 cited
  • 2020The Nation and Its Fragments779 cited
  • 1999Can a Muslim Be an Indian?175 cited

Cited by

  • 2009Nationalism and Hindi Cinema: Narrative Strategies in Fanaa14 cited
  • 2011Recovering the past in Jodhaa Akbar: Masculinities, Femininities and Cultural Politics in Bombay Cinema9 cited
  • 2009Floating on Silent Waters8 cited
  • 2018Inventing a Muscular Global India: History, Masculinity, and Nation in Mangal Pandey: The Rising6 cited
  • 2015Interrogating Practices of Gender, Religion and Nationalism in the Representation of Muslim Women in Bollywood: Contexts of Change, Sites of Continuity6 cited

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