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Cited by

• 2006Visual Rhetoric Representing Rosie the Riveter: Myth and Misconception in J. Howard Miller's "We Can Do It!" Poster38 cited
• 2003Televised Consumption: Women, Advertisers and the Early Daytime Television Industry26 cited
• 2009Unassailable Motherhood, Ambivalent Domesticity: The Construction of Maternal Identity in Ladies’ Home Journal in 194616 cited
• 2016Building Betty Crocker's brand community: conversations with consumers, 1940-195011 cited
• 2009‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship inThe Spiral Staircase(1946)10 cited
• 1999Women Health Workers and the Color Line in the Japanese American "Relocation Centers" of World War II6 cited
• 2006The Woman's Symphony Orchestra of Chicago5 cited
• 1996The Postwar “New Deal”5 cited
• 2011The color(s) of perfection: The feminine body, beauty ideals, and identity in postwar America, 1945-19702 cited