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Abstract Using the paradigm of Gary Alan Fine’s "folklore diamond," this essay analyzes comedic material of contemporary African American women comics. This comedic material conveys the uniqueness of African American women’s position at the intersections of race, gender, and class dynamics, thereby marking the performers as not only Black, not only female, but as Black women entertainers who are changing the face of Black women’s comedy.
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Stored only when both papers are in the corpus — 10 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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