SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Signature-systems and tonal types in the fourteenth-century French chanson
14 references·3 citing·29 second hop
Signature-systems and tonal types in the fourteenth-century French chanson (1995)Signature-systems and tonal types in the …Musica Recta and Musica Ficta (2013)Musica Recta and Musica FictaModal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500 (1992)Modal Types and Ut, Re, Mi To…The Union of words and music in medieval poetry (1991)The Union of words and music …Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino (1989)Musica ficta. Theories of Acc…The Berkeley Manuscript (1987)The Berkeley ManuscriptMusic in Late Medieval Bruges (1986)Music in Late Medieval BrugesThe works of Johannes Ciconia (1985)The works of Johannes CiconiaMachaut's 'Rose, Lis' and the Problem of Early Music Analysis (1984)Machaut's 'Rose, Lis' and the…Diatonicficta (1984)DiatonicfictaTonal Types and Modal Categories in Renaissance Polyphony (1981)Tonal Types and Modal Categor…Die Tonarten der klassischen Vokalpolyphonie (1976)Die Tonarten der klassischen …Tone System in the Secular Works of Guillaume Dufay (1965)Tone System in the Secular Wo…Source Readings in Music History (1950)Source Readings in Music Hist…THE FUNCTION OF CONFLICTING SIGNATURES IN EARLY POLYPHONIC MUSIC (1945)THE FUNCTION OF CONFLICTING S…Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts (2011)Reading and Theorizing Mediev…"Messy Structure"? Multiple Tonal Centers in the Music of Machaut (2008)"Messy Structure"? Multiple T…Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered? (1998)Modal discourse and fourteent…Studies on the Origin of Harmonic Tonality (1992)'Se vedesti qui dentro': Monteverdi's 'O Mirtillo, Mirtillo anima mia' and Artusi's Offence (2013)Studies in the History of the Cadence (2015)Tonality (2023)Discant, Counterpoint, and Harmony (1962)The New Grove Dictionary of Music and Musicians (1981)Counterpoint and Analysis in Fourteenth-Century Song (2000)Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression (2006)Guillaume Du Fay's benefices and his relationship to the court of Burgundy (1988)Parisian nobles, a Scottish princess, and the woman's voice in late medieval song (1991)The many ways of community music (2007)Music Theory, Phenomenology, and Modes of Perception (1986)The End of Early Music (2007)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)Music Printing in Renaissance Venice (1998)Guillaume Du Fay: The Life and Works (2018)Stravinsky's "Mass" and Stravinsky Analysis (1989)Notes, scales, and modes in the earlier Middle Ages (2002)Point/counterpoint: Vicentino's musical rebuttal to Lusitano (2005)Renaissance Polyphony (2020)The Poems of Orlando di Lasso's "Prophetiae Sibyllarum" and Their Sources (1979)Die Vernunft in der Tradition: Neue mathematische Untersuchungen zu den alten Begriffen der Diatonizität (2016)Handschins ›Toncharakter‹. Plädoyer für einen neuen Anlauf, ausgehend von neueren musiktheoretischen und kognitionspsychologischen Untersuchungen zu den tonalen ›Qualia‹ (2016)Joining the historical performance debate (2002)Negotiating between work, composer and performer: rewriting the story of notational progress (2002)Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020)FROM THE TWELFTH CENTURY TOc. 1450 (2005)Grammaticaand literary theory (2005)A NEW LINK BETWEEN THE MOTET AND TROUVÈRE CHANSON: THEPEDES-CUM-CAUDAMOTET (2013)
this work references cited by second hop

References

  • 1950Source Readings in Music History307 cited
  • 1981Tonal Types and Modal Categories in Renaissance Polyphony172 cited
  • 1986Music in Late Medieval Bruges159 cited
  • 1989Musica ficta. Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino53 cited
  • 1991The Union of words and music in medieval poetry53 cited
  • 1992Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 150043 cited
  • 1984Diatonicficta41 cited
  • 1984Machaut's 'Rose, Lis' and the Problem of Early Music Analysis26 cited
  • 1976Die Tonarten der klassischen Vokalpolyphonie22 cited
  • 2013Musica Recta and Musica Ficta20 cited
  • 1965Tone System in the Secular Works of Guillaume Dufay16 cited
  • 1985The works of Johannes Ciconia11 cited
  • 1945THE FUNCTION OF CONFLICTING SIGNATURES IN EARLY POLYPHONIC MUSIC11 cited
  • 1987The Berkeley Manuscript10 cited

Cited by

  • 2008"Messy Structure"? Multiple Tonal Centers in the Music of Machaut8 cited
  • 1998Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered?

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

7 cited
  • 2011Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts7 cited