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Maya Blue: Its Presence in Cuban Colonial Wall Paintings
5 references·7 citing·34 second hop
Maya Blue: Its Presence in Cuban Colonial Wall Paintings (1990)Maya Blue: Its Presence in Cuban Colonial…Maya Blue—Further Perspectives and the Possible Use of Indigo as the Colorant (1982)Maya Blue—Further Perspective…Maya Blue—A New Perspective (1980)Maya Blue—A New PerspectiveJET TRANSPORT OF ART OBJECTS (1967)JET TRANSPORT OF ART OBJECTSÉtude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'B…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers (2020)Identification of Indigo Dye …Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF (2012)Chromatographic analysis of i…Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico) (2010)Characterization of Maya Blue…THE OCCURRENCE OF PALYGORSKITE IN THE YUCATÁN PENINSULA: ETHNO‐HISTORIC AND ARCHAEOLOGICAL CONTEXTS* (2008)THE OCCURRENCE OF PALYGORSKIT…Synchrotron powder diffraction on Aztec blue pigments (2007)Synchrotron powder diffractio…PIXE analysis on Maya blue in Prehispanic and colonial mural paintings (2006)PIXE analysis on Maya blue in…Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook (2003)Old master paintings – A frui…Maya Blue: A Clay-Organic Pigment? (1966)Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)MAYA BLUE AND PALYGORSKITE: A second possible pre-Columbian source (2005)On the Raman spectrum of Maya blue (2006)Painting Materials: A Short Encyclopedia (2011)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Maya Blue: A Computational and Spectroscopic Study (2005)SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)Central petén blue pigment: A maya blue source outside of Yucatán, México (2009)Role of water on formation and structural features of Maya blue (2012)Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue (2013)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)Maya Blue Paint: An Ancient Nanostructured Material (1996)Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry (2013)Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica (2019)The Organic Chemistry of Museum Objects (1988)Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Characterization of pigments and ligands in a wall painting fragment from L iternum archaeological park ( I taly) (2012)Polar and non-polar organic binder characterization in Pompeian wall paintings: comparison to a simulated painting mimicking an “a secco” technique (2012)Ethnomineralogy of Ticul, Yucatan Potters: Etics and Emics (1971)Does the Standardization of Ceramic Pastes Really Mean Specialization? (2000)Courtly art of the ancient Maya (2004)Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Review of in-situ non- and micro-destructive techniques for pigment analysis in architectural heritage (2025)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Cultural and Natural Heritage at the ESRF: Looking Back and to the Future (2019)Maya Blue: How the Mayas Could Have Made the Pigment (1988)Exploring the Ubiquitous through the Unusual: Color Symbolism in Pueblo Black-on-White Pottery (2003)Indigo chemisorption in sepiolite. Application to Maya blue formation (2006)Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview (2009)Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)
this work references cited by second hop

References

  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 1967Étude et Identification du 'Bleu Maya'81 cited
  • 1967JET TRANSPORT OF ART OBJECTS36 cited
  • 1980Maya Blue—A New Perspective35 cited
  • 1982Maya Blue—Further Perspectives and the Possible Use of Indigo as the Colorant32 cited

Cited by

  • 2010Characterization of Maya Blue pigment in pre-classic and classic monumental architecture of the ancient pre-Columbian city of Calakmul (Campeche, Mexico)29 cited
  • 2008THE OCCURRENCE OF PALYGORSKITE IN THE YUCATÁN PENINSULA: ETHNO‐HISTORIC AND ARCHAEOLOGICAL CONTEXTS*26 cited
  • 2003Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook25 cited
  • 2012Chromatographic analysis of indigo from Maya Blue by LC–DAD–QTOF24 cited
  • 2007Synchrotron powder diffraction on Aztec blue pigments20 cited
  • 2006PIXE analysis on Maya blue in Prehispanic and colonial mural paintings19 cited
  • 2020Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers13 cited

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