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Reading the Walls: Pictorial Dialogue at the Eighteenth-Century Royal Academy
7 references·4 citing·28 second hop
Reading the Walls: Pictorial Dialogue at the Eighteenth-Century Royal Academy (2004)Reading the Walls: Pictorial Dialogue at …Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836 (2001)Art on the Line: The Royal Ac…Sir Joshua Reynolds: A Complete Catalogue of His Paintings (2000)Sir Joshua Reynolds: A Comple…National Gallery Catalogues: (1998)National Gallery Catalogues:Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England. (1994)Painting for Money: The Visua…A Polite and Commercial People : England, 1727-1783 (1989)A Polite and Commercial Peopl…The Paintings of Benjamin West (1986)The Paintings of Benjamin WestArtists and their friends in England 1700-1799 (1928)Artists and their friends in …Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays (2016)Rehanging Reynolds at the Bri…Exhibiting Enlightenment: Chardin as tapissier (2013)Exhibiting Enlightenment: Cha…“Like as My Profile”: Of Monuments, Money, and Political Caricature in Spring 1784 (2011)“Like as My Profile”: Of Monu…Encounters with the Object: Advertisements, Time, and Literary Discourse in the Early Eighteenth-Century Thing-Poem (2007)Encounters with the Object: A…Outline of a Theory of Practice. (1980)Introduction: commodities and the politics of value (1986)Circulations Through Worlds Apart: Georgian and Victorian England in an African Mirror (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Michel Foucault: Beyond Structuralism and Hermeneutics (1983)Foucault: A Critical Reader (1986)Les mots et les choses (1990)Britons: Forging the Nation, 1707-1837 (1995):The Self-Aware Image: An Insight into Early Modern Meta-Painting (2000)Oxford Dictionary of National Biography (2010)Vermeer och van VeensAmorum Emblemata (1980)Canvas Matches in Vermeer: A Case Study in the Computer Analysis of Fabric Supports (2012)New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques (2016)The Cambridge Urban History of Britain (2000)The Cambridge Economic History of Modern Britain (2004)'The Value of Civility?' (2006)A Bibliography of the Concept Offentlichkeit (1994)Noting the Mind: Commonplace Books and the Pursuit of the Self in Eighteenth-Century Britain (2004)The History of Masculinity, circa 1650–1800 (2005)Spectacle, Exoticism, and Display in the Gentleman’s House: The Fonthill Auction of 1822 (2008)“Struggling against a Vulgar Prejudice”: Patriotism and the Collecting of British Art at the Turn of the Nineteenth Century (2010)Picturing the Installation Shot (2017)The English Auction: Narratives of Dismantlings (1997)Dealer in Magic: James Cox's Jewelry Museum and the Economics of Luxurious Spectacle in Late-Eighteenth-Century London (1999)The cult of King Alfred the Great (1999)The Muff Affair: Fashioning Celebrity in the Portraits of Late-eighteenth-century British Actresses (2009)Danse Macabre (2019)The archaeological study of the Bible (2015)
this work references cited by second hop

References

  • 1989A Polite and Commercial People : England, 1727-1783676 cited
  • 1994Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.180 cited
  • 1986The Paintings of Benjamin West120 cited
  • 2001Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–183667 cited
  • 1928Artists and their friends in England 1700-179960 cited
  • 2000Sir Joshua Reynolds: A Complete Catalogue of His Paintings42 cited
  • 1998National Gallery Catalogues:11 cited

Cited by

  • 2007Encounters with the Object: Advertisements, Time, and Literary Discourse in the Early Eighteenth-Century Thing-Poem29 cited
  • 2016Rehanging Reynolds at the British Institution: Methods for Reconstructing Ephemeral Displays6 cited
  • 2013Exhibiting Enlightenment: Chardin as tapissier1 cited
  • 2011“Like as My Profile”: Of Monuments, Money, and Political Caricature in Spring 17841 cited

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