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"Pelléas" and Power: Forces behind the Reception of Debussy's Opera · Study

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Article"Pelléas" and Power: Forces behind the Reception of Debussy's Opera

Jann Pasler1987

Article1987

"Pelléas" and Power: Forces behind the Reception of Debussy's Opera

70 citations·0/0 files stored·19th-Century Music

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Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

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References

1950The Sociology of Georg Simmel 1950The Sociology of Georg Simmel.1985Wagnerism in European Culture and Politics 1933Claude Debussy: His Life and Works

Cited by

1991Paris: Conflicting Notions of Progress 2019Writing about Popular Music 2018Female Singers on the French Stage, 1830–1848 2008Musical Symbolism in the Operas of Debussy and Bartok 2019Stop the Press? The Changing Media of Music Criticism 2016Riemann in France: Jean Marnold and the “Modern” Music-Theoretical Ear 2019Critiquing the Canon: The Role of Criticism in Canon Formation 2019Music Criticism in Norway

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Year1987

Typearticle

Published1987-01-01

Venue19th-Century Music

ISSN-L0148-2076

Languageen

Citations70

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.2307/746438

openalex_workW2020559755

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