Hard Hats and Movie Brats: Auteurism and the Class Politics of the New Hollywood

Derek Nystrom

17 citations0/0 files storedCinema Journal

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

This essay discusses auteurism as a professional-managerial class strategy, examining in particular the role of auteurism in battles over film production during the rise of the New Hollywood. Of particular interest are the class politics of two New Hollywood films: Joe and Five Easy Pieces (both 1970).

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 17 citations exist upstream.

References

1988The Politics and Poetics of Transgression 1989The Sixties: Years of Hope, Days of Rage 1990Fear of Falling: The Inner Life of the Middle Class.1995Cultural studies and cultural value 1981Between Labor and Capital.1989An injury to all: the decline of American unionism 1980The Movie Brats: How the Film Generation Took over Hollywood 1998The New American cinema

Cited by

2015New Hollywood in the Rust Belt: Urban Decline and Downtown Renaissance in The King of Marvin Gardens and Rocky

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.