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The Language-Character of Music: Some Motifs in Adorno
3 references·1 citing·15 second hop
The Language-Character of Music: Some Motifs in Adorno (1991)The Language-Character of Music: Some Mot…Foundations of Music History (1983)Foundations of Music HistoryThe critique criticised: Adorno and popular music (1982)The critique criticised: Ador…On the Social Situation of Music (1978)On the Social Situation of Mu…Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music (1996)Autonomy, Mimesis and Mechani…On Popular Music (1941)Philosophy of Modern Music (1974)Philosophy of Modern Music (1976)Boys to men: Afrikaans alternative popular music 1986–1990 (1996)Frank Zappa as Dadaist: recording technology and the power to repeat (1996)Opeth not metal: making sense of the symbolic boundary work in the leisure spaces of musicians and fans (2018)Spectro-morphology and Structuring Processes (1986)For the Record: Adorno on Music in the Age of Its Technological Reproducibility (1990)The Form of the Phonograph Record (1990)Representations of femininity in popular music (1999)Performing Civility (2015)What is Musical Meaning? Theorizing Music as Performative Utterance (2019)The Imaginary Museum of Musical Works (1994)Musicking — the meanings of performing and listening. A lecture (1999)Playing with History (2002)
this work references cited by second hop

References

  • 1983Foundations of Music History364 cited
  • 1978On the Social Situation of Music74 cited
  • 1982The critique criticised: Adorno and popular music52 cited

Cited by

  • 1996Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music3 cited

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