SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice
0 references·15 citing·41 second hop
A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice (1966)A Chronology of the Works of Guillaume Du…Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition (2018)Composing in Theory: Busnoys,…Plague and Music in the Renaissance (2017)Plague and Music in the Renai…The mensura of φ in the works of Du Fay (2006)The mensura of φ in the works…On Diminution and Proportion in Fifteenth-Century Music Theory (2005)On Diminution and Proportion …Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)Different Strokes for Differe…Notes on Guillaume Du Fay's Last Works (1995)Notes on Guillaume Du Fay's L…Intertextuality and Compositional Process in Two Cantilena Motets by Hugo de Lantins (1993)Intertextuality and Compositi…Dissonance Placement and Stylistic Change in the Fifteenth Century: Tinctoris's Rules and Dufay's Practice (1989)Dissonance Placement and Styl…[Letter from Rob C. Wegman] (1989)[Letter from Rob C. Wegman]The Relative Speed of Tempora in the Period of Dufay (1981)The Relative Speed of Tempora…A lost guide to Tinctoris's teachings recovered (1981)A lost guide to Tinctoris's t…The Performance of Dufay's Paraphrase Kyries (1975)The Performance of Dufay's Pa…Stylistic Inconsistencies in a Kyrie Attributed to Dufay (1975)Stylistic Inconsistencies in …Aspects of the ‘L'Homme armé’ Tradition (1973)Aspects of the ‘L'Homme armé’…Tone System in the Secular Works of Guillaume Dufay (1965)Tone System in the Secular Wo…Das einstimmige Kyrie des lateinischen Mittelalters (1955)The Origins of the Modern Roman Liturgy (1962)Aspects of Medieval and Renaissance Music. A Birthday Offering to Gustave Reese (1966)Guillaume Du Fay (2019)The logic of scientific discovery (1959)The Logic of Scientific Discovery. (1959)The New Grove dictionary of music and musicians (2001)The evolution of rhythmic notation (2002)Music in the Renaissance (1954)Music in Late Medieval Bruges (1986)MORALES, JOSQUIN AND THEL'HOMME ARMÉTRADITION (2011)Discovering Medieval Song (2018)Discovering Medieval Song: Latin Poetry and Music in the Conductus (2018)The New Oxford History of Music (1969)Rome as the centre of the universe: papal grace and music patronage (1992)Palestrina as Historicist: The Two L'homme armé Masses (1996)The Collected Poems of Dylan Thomas (1945)Dufay at Cambrai: Discoveries and Revisions (1975)The Early Career of Guillaume Du Fay (1993)Pater optime:Vergilian Allusion in Obrecht'sMille quingentis (2001)Polyphonia Sacra. A Continental Miscellany of the Fifteenth Century (1964)Die Musik in Konstanz während des Konzils 1414-1418 (1966)The Origin and Early History of Proportion Signs (1988)The Basic Works of Aristotle (1941)Source Readings in Music History (1950)The relationship of perfect and imperfect time in Italian theory of the Renaissance (1985)Die Musik in Geschichte und Gegenwart (1989)The Motet in the Age of Du Fay (1999)Marking Mensural Time (2000)The Use of Cut Signatures in Sacred Music by Binchois (2000)Music in the Middle Ages (1941)Corpus scriptorum de musica (1957)Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries (1989)Prenez sur moy: Okeghem's tonal pun (1992)Signature-systems and tonal types in the fourteenth-century French chanson (1995)The King's Two Bodies: A Study in Mediaeval Political Theology (1958)Ritual: Perspectives and Dimensions (1999)Porous skin: Breathing through the prism of the holey body (2019)Functions of Music Making Under Lockdown: A Trans-Historical Perspective Across Two Pandemics (2020)Rabelais and his world (2020)Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Plague and Music in the Renaissance25 cited
  • 1989[Letter from Rob C. Wegman]23 cited
  • 1981A lost guide to Tinctoris's teachings recovered17 cited
  • 1995Notes on Guillaume Du Fay's Last Works16 cited
  • 1973Aspects of the ‘L'Homme armé’ Tradition16 cited
  • 1965Tone System in the Secular Works of Guillaume Dufay16 cited
  • 2005On Diminution and Proportion in Fifteenth-Century Music Theory12 cited
  • 1981The Relative Speed of Tempora in the Period of Dufay12 cited
  • 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music11 cited
  • 1975The Performance of Dufay's Paraphrase Kyries7 cited
  • 1975Stylistic Inconsistencies in a Kyrie Attributed to Dufay6 cited
  • 2006The mensura of φ in the works of Du Fay6 cited
  • 1993Intertextuality and Compositional Process in Two Cantilena Motets by Hugo de Lantins5 cited
  • 1989Dissonance Placement and Stylistic Change in the Fifteenth Century: Tinctoris's Rules and Dufay's Practice4 cited
  • 2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

4 cited