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Premiering at the height of the global neo-noir craze, Oskar Roehler's Die Unber�hrbare is willfully out of the past. It renegotiates the classic noir's preoccupation with space and material culture, dramatizing millennial German spatial anxiety and redressing Ostalgie films' commodity fetishism.
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Stored only when both papers are in the corpus — 6 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.