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Hellfest: The thing that should not be?
8 references·2 citing·34 second hop
Hellfest: The thing that should not be? (2012)Hellfest: The thing that should not be?Heavy Metal: The Music And Its Culture (2009)Heavy Metal: The Music And It…Le spectateur émancipé (2008)Le spectateur émancipé“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene (2002)“I hate this fucking country”…Le partage du sensible (2000)Le partage du sensible‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson (2000)‘I'd sell you suicide’: pop m…Death metal tonality and the act of listening (1999)Death metal tonality and the …Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Habermas and the Public Sphere (1993)Habermas and the Public SphereLe heavy metal comme cas limite (2019)Le heavy metal comme cas limi…Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques (2018)Le Hellfest, arène discursive…The Constitution of Society. Outline of the Theory of Structuration (1984)Writing Culture (1986)Writing Culture: The Poetics and Politics of Ethnography (1986)The Price of Rebellion: Gender Boundaries in the Death Metal Scene (2011)In Defense of Textual Analysis: Resisting Methodological Hegemony in Media and Cultural Studies (2012)Un(su)Stained Class? (2016)Noise, the Political Economy of Music (1989)Studying Popular Music (1990)Heavy Metal and Hip-Hop Style Preferences and Externalizing Problem Behavior (2007)Soundtrack of the School Shootings (2011)Extreme music for extreme people? Norwegian black metal and transcendent violence (2012)Characterizing Rock Music Cultures: The Case of Heavy Metal (1984)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Heavy Genealogy: Mapping the Currents, Contraflows and Conflicts of the Emergent Field of Metal Studies, 1978-2010 (2011)Repenser la sphère publique : une contribution à la critique de la démocratie telle qu'elle existe réellement (2001)The Social and Applied Psychology of Music (2008)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Ears Wide Shut: Epistemological Populism, Argutainment and Canadian Conservative Talk Radio (2011)Hypermasculinity & Dickwolves: The Contentious Role of Women in the New Gaming Public (2012)Social Media and Local Government: Citizenship, Consumption and Democracy (2013)Trois essais sur le rôle de l'innovation sociale dans le développement territorial (2004)The Antinomies of the Postpolitical City: In Search of a Democratic Politics of Environmental Production (2009)Where is the political? Insurgent mobilisations and the incipient “return of the political” (2014)Vedic metal and the South Indian community in Singapore: problems and prospects of identity (2009)'I want you to support local metal': A theory of metal scene formation (2012)We are the Sons of the Southern Cross (2016)‘Insider Research’ in the Study of Youth Cultures (2005)Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans (2006)The intimate insider: negotiating the ethics of friendship when doing insider research (2011)« No matter what they do, they can never let you down... » (2009)Fictional Attachments and Literary Weavings in the Anthropocene (2016)The participative turn in cultural policy: Paradigms, models, contexts (2018)
this work references cited by second hop

References

  • 2000Le partage du sensible1,312 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2008Le spectateur émancipé880 cited
  • 1993Habermas and the Public Sphere513 cited
  • 2009Heavy Metal: The Music And Its Culture403 cited
  • 1999Death metal tonality and the act of listening101 cited
  • 2000‘I'd sell you suicide’: pop music and moral panic in the age of Marilyn Manson87 cited
  • 2002“I hate this fucking country”: Dealing with the Global and the Local in the Israeli Extreme Metal Scene22 cited

Cited by

  • 2019Le heavy metal comme cas limite4 cited
  • 2018Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques2 cited

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