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On the Use of Overtone and Combination Bands for the Analysis of the CaSO4—H2O System by Mid-Infrared Reflection Spectroscopy
4 references·16 citing·50 second hop
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this work references cited by second hop

References

  • 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
  • 2008ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London127 cited
  • 2001The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations117 cited
  • 2006Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy96 cited

Cited by

  • 2018A review of infrared spectroscopy in microarchaeology: Methods, applications, and recent trends74 cited
  • 2019Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR69 cited
  • 2015Imaging study of Raffaello's “La Muta” by a portable XRF spectrometer61 cited
  • 2016New Frontiers in Application of FTIR Microscopy for Characterization of Cultural Heritage Materials60 cited
  • 2017Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art60 cited
  • 2012In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy58 cited
  • 2011Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi55 cited
  • 2015Micro FTIR imaging for the investigation of deteriorated organic binders in wall painting stratigraphies of different techniques and periods

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53 cited
  • 2011Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations51 cited
  • 2010Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy49 cited
  • 2017Chemometrics approach to FT-IR hyperspectral imaging analysis of degradation products in artwork cross-section49 cited
  • 2017Complementary use of Optical Coherence Tomography (OCT) and Reflection FTIR spectroscopy for in-situ non-invasive monitoring of varnish removal from easel paintings49 cited
  • 2013The Book of Kells: A non-invasive MOLAB investigation by complementary spectroscopic techniques46 cited
  • 2019Laser cleaning of paintings: in situ optimization of operative parameters through non-invasive assessment by optical coherence tomography (OCT), reflection FT-IR spectroscopy and laser induced fluorescence spectroscopy (LIF)46 cited
  • 2015A multi-analytical non-invasive approach to violin materials: The case of Antonio Stradivari “Hellier” (1679)45 cited
  • 2016Vibrational spectroscopic study on degradation of alizarin carmine43 cited