Haneke: The Coercing of Vision

David I. Grossvogel

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Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

ABSTRACT Michael Haneke's career began with harsh, alienating, and self-referential works concerned with violence and social hypocrisy. His later work, especially Hidden (2005), which explores racism in France, is both less disconcerting and more hopeful. This article shows how Haneke's formal strategies, which exasperated some U.S. critics, illuminate his themes.

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2010Games Haneke Plays: Reality and Performance

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