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An Essay on Practical Musical Composition, According to the Nature of That Science and the Principles of the Greatest Musical Authors
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An Essay on Practical Musical Composition, According to the Nature of That Science and the Principles of the Greatest Musical Authors (1974)An Essay on Practical Musical Composition…How Sonata Forms (2022)How Sonata FormsFollow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century (2022)Follow the Solo: The Formal E…Toward a Theory of Recapitulatory Tonal Alterations (2019)Toward a Theory of Recapitula…The Legacy of ‘ Ariadne’ and the Melodramatic Sublime (2018)The Legacy of ‘ Ariadne’ and …Tests of contrasting expressive content between first and second musical themes (2018)Tests of contrasting expressi…Sonata Form and the Problem of Second‐Theme Beginnings (2013)Sonata Form and the Problem o…The characteristic symphony in the age of Haydn and Beethoven (2003)The characteristic symphony i…The Characteristic Symphony in the Age of Haydn and Beethoven (2002)The Characteristic Symphony i…Introduction (2002)IntroductionThe New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice (1985)The New Modulation of the 177…H. C. Koch, the Classic Concerto, and the Sonata-Form Retransition (1983)H. C. Koch, the Classic Conce…Beethoven, Symphony No. 8 (1982)Beethoven, Symphony No. 8Classic Music: Expression, Form, and Style (1981)The New Grove dictionary of music and musicians (2001)Elements of Sonata Theory (2006)Beethoven and the Obscured Medial Caesura (2013)Instrumental Music in an Age of Sociability (2019)Tonality (2023)Versuch einer Anleitung zur Composition (1969)Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form (1974)The Earliest Italian Keyboard Concertos (1986)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)Essay on the True Art of Playing Keyboard Instruments (1949)Allgemeine Geschichte der Musik (1967)Studies in eighteenth-century music : a tribute to Karl Geiringer on his seventieth birthday (1970)The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music (2006)The Dialogic Imagination: Four Essays (1982)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)How Societies Remember (1989)The Picturesque Oratorio: Haydn's Art in Nature's Clothing (2012)The orchestral revolution: Haydn and the technologies of timbre (2013)The social worlds of nineteenth-century chamber music: composers, consumers, communities (2015)Classical Form (1998)Q uantitative Characterizations of Speech Rhythm: Syllable-Timing in Singapore English (2000)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1978)A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)The Theory of the Sublime from Longinus to Kant (2015)The Weight of Lightness: Italian Opera and Parody in Congress Vienna (2025)Introduction to the Sociology of Music. (1977)Noise: The Political Economy of Music (1986)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)On Collective Memory (1992)Cherubini and the Revolutionary Sublime (2012)The Viennese symphony 1750 to 1827 (2013)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The Theory of Moral Sentiments (2010)Early Double and Triple Returns in Galant Music (2025)
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Cited by

  • 2002The Characteristic Symphony in the Age of Haydn and Beethoven174 cited
  • 2003The characteristic symphony in the age of Haydn and Beethoven60 cited
  • 2013Sonata Form and the Problem of Second‐Theme Beginnings38 cited
  • 1983H. C. Koch, the Classic Concerto, and the Sonata-Form Retransition33 cited
  • 2022Follow the Solo: The Formal Evolution of the Concerto in the Eighteenth-Century22 cited
  • 1985The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice20 cited
  • 2022How Sonata Forms9 cited
  • 2018Tests of contrasting expressive content between first and second musical themes4 cited
  • 2018The Legacy of ‘ Ariadne’ and the Melodramatic Sublime3 cited
  • 2019Toward a Theory of Recapitulatory Tonal Alterations3 cited
  • 2002Introduction2 cited
  • 1982Beethoven, Symphony No. 82 cited

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