References

No references inside the corpus for this window.

Cited by

• 2013Music, Modernity, and God84 cited
• 2013Metaphor in Language, Cognition, and Communication32 cited
• 2013Disquieting Conversations: Bach, Modernity, and God17 cited
• 2022How Sonata Forms9 cited
• 2020Perception of the ternary arch-form in Western concert music: evidence from college music education6 cited
• 2022Desire, gratification and the moment: a music analytical and psychological enquiry into the role of repetition in the music of Howard Skempton, with a response by the composer5 cited
• 2013“Boundaries” and “thresholds”: Conceptual models of the musical mind in the history of music psychology3 cited
• 2018Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude3 cited
• 2017“As Forming Becomes Form”3 cited
• 2020Mapping Sound2 cited
• 2019The Variational Principle in Dinu Lipatti’s Sonatina for Violin and Piano2 cited