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Contemporary African Art
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Contemporary African Art (2001)Contemporary African ArtPrintmaking in Nigeria: Its Evolution and Developmental History (2019)Printmaking in Nigeria: Its E…Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980 (2018)Locating Senghor's École de D…A lightness of vision: the poetics ofRelationin Malian art photography (2014)A lightness of vision: the po…Traditionalism in Contemporary Art: Re-contextualizing African Ideographs through Hybrid Aesthetics (2013)Traditionalism in Contemporar…The contemporary present and modernist past in postcolonial African art (2013)The contemporary present and …Found Object, Recycled Art, Readymade or Junk Art? Ambiguity in Modern African Art (2013)Found Object, Recycled Art, R…Cleverest of the Clever: Coconut Craftsmen in Lamu, Kenya (2008)Cleverest of the Clever: Coco…Exhibiting Ghana: Display, Documentary, and "National" Art in the Nkrumah Era (2001)Exhibiting Ghana: Display, Do…‘Making names’: The cutting edge renewal of African art in New York City, 1985–1996 (2001)‘Making names’: The cutting e…Dada: art and anti-art (1965)The Transfiguration of The Commonplace (1974)"Primitive Fakes," "Tourist Art," and the Ideology of Authenticity (1994)Inscribing Meaning: Writing and Graphic Systems in African Art (2007)El Anatsui: Transformations (2008)SURVEYING CONTEMPORARY ART: POST‐WAR, POSTMODERN, AND THEN WHAT? (2009)Critically Modern: Alternatives, Alterities, Anthropologies (2002)World-Systems Analysis (2004)Contemporary African art since 1980 (2010)The Modern World-System: Capitalist Agriculture and the Origins of the European World-Economy in the Sixteenth Century. (1975)Orality and Literacy (1982)Colonial Discourse and Post-Colonial Theory: A Reader (1995)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Culture in Action: Symbols and Strategies (1986)A general theory of artistic legitimation: How art worlds are like social movements (2006)Regionalism and the Publishing Class: Conflicted Isomorphism and Negotiated Identity in a Nested Field of American Publishing (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Expert Critics, Rankings, and Review Aggregators: The Changing Nature of Intermediation and the Rise of Markets with Multiple Intermediaries (2022)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)The cultural biography of things: commoditization as process (1986)Ethnographic Interview (2017)Time and the Other: How Anthropology Makes Its Object (1983)Stuart Hall: Critical Dialogues in Cultural Studies (2006)Philosophy and the Mirror of Nature (2008)40: THE JOURNAL FOR CONTEMPORARY HISTORY, 1975 – 2015 (2016)Paul Strand's Ghana and Photography after Colonialism (2016)THE The Heritage of Ghanaian Traditional Furniture Culture (2021)The Wretched of the Earth (2000)Global Shadows (2006)The Journal of Pan African Studies (2014)Prints and printmaking: an introduction to the history and techniques (1996)Contemporary African art (2000)
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  • 2001Exhibiting Ghana: Display, Documentary, and "National" Art in the Nkrumah Era59 cited
  • 2001‘Making names’: The cutting edge renewal of African art in New York City, 1985–199619 cited
  • 2013The contemporary present and modernist past in postcolonial African art13 cited
  • 2014A lightness of vision: the poetics ofRelationin Malian art photography11 cited
  • 2013Traditionalism in Contemporary Art: Re-contextualizing African Ideographs through Hybrid Aesthetics8 cited
  • 2018Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–19806 cited
  • 2019Printmaking in Nigeria: Its Evolution and Developmental History6 cited
  • 2013Found Object, Recycled Art, Readymade or Junk Art? Ambiguity in Modern African Art6 cited
  • 2008Cleverest of the Clever: Coconut Craftsmen in Lamu, Kenya5 cited

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