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“I am not a qualified dialect rapper”: constructing hip-hop authenticity in China
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“I am not a qualified dialect rapper”: constructing hip-hop authenticity in China (2013)“I am not a qualified dialect rapper”: co…Reconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow (2024)Reconfiguring “Heritage hip-h…Feminine accent, masculine rapper (2022)Feminine accent, masculine ra…(Re)claiming the Public Sphere: Greek Cypriot Dialect Hip-Hop and the Right to Say It in One’s Own Language (2022)(Re)claiming the Public Spher…To craft modern (hi)story through music (2021)To craft modern (hi)story thr…Superdiversity and translocal brutality in Asian extreme metal lyrics (2021)Superdiversity and translocal…Rhyming Techniques and Identity in Korean Hip Hop (2021)Rhyming Techniques and Identi…The discursive construction of English naming practice in Mainland China: A nationalism and authenticity perspective (2017)The discursive construction o…The chronotopes of authenticity (2017)The chronotopes of authentici…“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music (2017)“Who’s Afraid of the Dark?”: …Dutch–Chinese repertoires and language ausbau in superdiversity: A view from digital media (2014)Dutch–Chinese repertoires and…Directions in Sociolinguistics: The Ethnography of Communication (1973)The Practice Turn in Contemporary Theory (2005)Super-diversity and its implications (2007)The Routledge Handbook of Migration and Language (2017)Mediatized Taiwan Mandarin (2018)Learner Identity in Chinese as a Foreign/Second Language Education: A Critical Review (2020)Representation: Cultural representations and signifying practices. (1997)The Location of Culture (2012)Hip Hop headz in sex ed: Gender, agency, and styling in New Zealand (2018)Finnishness, Whiteness and Coloniality (2022)From ‘Something in Between’ to ‘Everything All at Once’: Meditations on Liminality and Blackness in Afro-Finnish Hip-Hop and R&B (2022)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Distinction: A Social Critique of the Judgement of Taste* (2018)Commentary: the complex nexus between (im)mobility and translanguaging (2022)Building identity and authenticity: exploring the spatiotemporal aspects of language teaching in a mariachi class (2023)Style or accent?: Gendered perceptions of English among young Bahrainis (2025)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The consequences of modernity (1990)Discursive Construction of “Others” in the Semiotic Space of Political Communication (2019)Make a name for yourself: exploring the interculturality of naming and addressing practices among transnational teachers of Chinese as a foreign language (2020)Adopting French Names as Identity Markers among Second Foreign Language (L3) Learners in China (2023)Globalization and Japanese Creativity: Adaptations of Japanese Language to Rap (2006)On the Metrical Techniques of Flow in Rap Music (2009)Globalization of African American Vernacular English in popular culture (2011)Forms of talk (1981)Subculture: The Meaning of Style (1995)Indexical order and the dialectics of sociolinguistic life (2003)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (1990)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Variation and the indexical field 1 (2008)Encyclopedia of Research Design (2010)Undoing Appropriateness: Raciolinguistic Ideologies and Language Diversity in Education (2015)China's New Voices (2003)Western Style, Chinese Pop: Jay Chou's Rap and Hip-Hop in China (2007)Examining Strategic Narratives in Chinese Official Discourse under Xi Jinping (2018)Domination and the arts of resistance: hidden transcripts (1991)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Critical Discourse Analysis: The Critical Study of Language (1997)
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Cited by

  • 2014Dutch–Chinese repertoires and language ausbau in superdiversity: A view from digital media15 cited
  • 2017“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music11 cited
  • 2017The chronotopes of authenticity11 cited
  • 2021Superdiversity and translocal brutality in Asian extreme metal lyrics8 cited
  • 2017The discursive construction of English naming practice in Mainland China: A nationalism and authenticity perspective7 cited
  • 2022Feminine accent, masculine rapper6 cited
  • 2024Reconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow5 cited
  • 2022(Re)claiming the Public Sphere: Greek Cypriot Dialect Hip-Hop and the Right to Say It in One’s Own Language5 cited
  • 2021To craft modern (hi)story through music2 cited
  • 2021Rhyming Techniques and Identity in Korean Hip Hop2 cited

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