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Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy
10 references·15 citing·30 second hop
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this work references cited by second hop

References

  • 2004The Tipping Point: How Little Things Can Make a Big Difference3,030 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 2003Media Rituals: A Critical Approach967 cited
  • 1997The Conquest of Cool852 cited
  • 2006Up Close and Personal: Investor Sophistication and the Disposition Effect841 cited
  • 1997One World, Ready or Not: The Manic Logic of Global Capitalism800 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 2004Performance Analysis and Popular Music: A Manifesto178 cited

Cited by

  • 2016Being True to Oneself: Investigating Celebrity Brand Authenticity145 cited
  • 2018Crying on YouTube117 cited
  • 2014Investigating consumer–brand relational authenticity100 cited
  • 2017On not taking the self seriously: Resilience, relatability and humour in young women’s Tumblr blogs71 cited
  • 2017Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions66 cited
  • 2020

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Feminist filter bubbles: ambivalence, vigilance and labour
35 cited
  • 2021Racialized beauty, visibility, and empowerment: Asian American women influencers on YouTube33 cited
  • 2020Re-evaluating the Postcolonial Exotic23 cited
  • 2013Reality Talent Shows in China15 cited
  • 2011Pentangular Dimensions of Chinese Adolescents' Idol Worship12 cited
  • 2022The Infrastructure of Engagement: Musical Aesthetics and the Rise of YouTube in India7 cited
  • 2013Top of the Tots: The Wiggles as Australia's Most Successful (Under-Acknowledged) Sound Media Export7 cited
  • 2010From Zero to Hero? An Exploratory Study of the Predictors of Success in the Dutch Idols Competition6 cited
  • 2009Maintaining Rage5 cited
  • 2022Does Reality Television-Style Singing Influence Singing Self-Concept?4 cited