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One of the striking features of mass communication theory in the millennial decade has been the reemergence of Marshall McLuhan (1911-1980). prominence is not what it was during the peak of his influence during the mid-1960s, but McLuhan is currently undergoing a revival. Wired magazine and various Internet-oriented publications have adopted McLuhan as the patron saint of the digital age (Wolf, 1996). phrases such as the global village and the medium is the message provide support for those commentators who view McLuhan as the oracle of the digital era. During the past decade, more than a dozen new books and countless articles have been published focusing on McLuhan, including Levinson's (1999) Digital McLuhan, Gordon's (1997) biography Marshall McLuhan, and Theall's (2001) The Virtual Marshall McLuhan. The media ecology movement spearheaded by scholars at New York University and Fordham University has celebrated McLuhan as one of the major thinkers of the 20th century. As a result of these developments, the moment is ripe to revisit Marshall McLuhan and to reassess his legacy. By way of self-disclosure, this author must admit that he has not been an uncritical admirer of McLuhan. Although a member of the media ecology movement, he has not displayed the boosterism of McLuhan that is characteristic of that organization. aphoristic way of speaking, his elliptical style of writing, and his heavy reliance on probes hurts the ability to understand his ideas. However, staying power is real, and the source of this power deserves to be examined. To comment on McLuhan, his ideas, and his critics requires a book-length publication. Instead, space limitations warrant that remarks be restricted to a few central ideas. Thus, this brief article is divided into two sections. The first part looks at McLuhan as a intellectual. It mixes Richard Posner's interpretation of a with biographical materials about McLuhan. The second part focuses on overarching thesis about the development of mass media, and his paradoxical views on broadcasting: He mistrusted television's influence while he saw television as the ideal exemplar of his notion of a cool medium. McLuhan as a Public Intellectual In 2001, Posner published Public Intellectuals: A Study in Decline. It was the first systematic, book-length study of modern intellectuals who are but who respond to market forces in their nonacademic role as commentators on society. Posner defined a public intellectual by using a multitiered definition. For Posner, intellectuals were academics outside their field or writing for a general audience (p. 1). Posner contended that because the modern university places such a great emphasis on specialization, heavily favoring depth versus breadth of knowledge, few are now trained, or inclined, to play the role of intellectuals. To Posner, this narrow training and socialization process in the United States explains why so many of the most distinguished academic intellectuals active in the second half of the twentieth century were foreigners--individuals such as Raymond Aron, Hannah Arendt, Michel Foucault, Jurgen Habermas, Friedrick Hayek, Leo Strauss, and Amartya Sen (pp. 4-5). Using Posner's terminology, McLuhan was a whose legacy was twofold: (a) his emphasis that mass communication has altered our perception of 20th-century life, and (b) his belief that the content of communication is dictated by its form. As Czitrom (1982) explained, McLuhan's efforts instilled an urgent awareness of the media environment as a basic force in shaping the modern sensibility (p. 165). McLuhan invariably has been depicted as an academic rebel who did not follow an orthodox outlook or doctrine in his writings. Although correct, such a characterization tends to obscure two biographical points. …
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