SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Effect of MnO2 and α-Fe2O3 on organic binders degradation investigated by Raman spectroscopy
7 references·2 citing·36 second hop
Effect of MnO2 and α-Fe2O3 on organic binders degradation investigated by Raman spectroscopy (2013)Effect of MnO2 and α-Fe2O3 on organic bin…Câmaras climáticas para o envelhecimento acelerado: ação de microambientes sobre bens culturais (2010)Câmaras climáticas para o env…The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features (2009)The painting of the Etruscan …DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY (2009)DETERMINATION OF PIGMENTS AND…Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Raman Spectra of Proteinaceou…Combined use of vibrational spectroscopy and GC–MS methods in the characterization of archaeological pastes from Patagonia (2006)Combined use of vibrational s…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…Raman spectroscopy in experimental rock art: Improving the study of ancient paintings (2020)Raman spectroscopy in experim…Time takes its toll: Detection of organic binder media in ochre paints with visible near-infrared and short-wave infrared reflectance spectroscopy (2018)Time takes its toll: Detectio…The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Structural characterization of lipid constituents from natural substances preserved in archaeological environments (2003)Argentinean prehistoric pigments’ study by combined SEM/EDX and molecular spectroscopy (2010)Micro‐Raman analysis of pigments from hunter–gatherer archaeological sites of North Patagonia (Argentina) (2015)The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites (2017)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Microscopic techniques (LM, SEM) and a multi-analytical approach (EDX, FTIR, GC/MS, Py-GC/MS) to characterise the decoration technique of the wooden ceiling of the House of the Telephus Relief in Herculaneum (Italy) (2014)Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Investigation of the pigment use in the Tomb of the Reliefs and other tombs in the Etruscan Banditaccia Necropolis (2018)National Gallery Technical Bulletin (1979)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Accelerated Aging, Photochemical and Thermal Aspects (1996)Combined neutron and synchrotron X-ray microprobe analysis: attempt to disclose 3600 years-old secrets of a unique bronze age metal artifact (2011)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ancient Egyptian materials and technology (2000)Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems (2009)Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum (2014)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Raman microscopy in archaeological science (2004)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Painting Materials: A Short Encyclopedia (2011)Infrared Spectroscopy in Conservation Science (2000)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)Analysis of rock art painting and technology of Palaeolithic painters (2003)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Use of red ochre by early Neandertals (2012)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)
this work references cited by second hop

References

  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2009DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY90 cited
  • 2006Combined use of vibrational spectroscopy and GC–MS methods in the characterization of archaeological pastes from Patagonia46 cited
  • 2009The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features27 cited
  • 2010Câmaras climáticas para o envelhecimento acelerado: ação de microambientes sobre bens culturais2 cited

Cited by

  • 2018Time takes its toll: Detection of organic binder media in ochre paints with visible near-infrared and short-wave infrared reflectance spectroscopy11 cited
  • 2020Raman spectroscopy in experimental rock art: Improving the study of ancient paintings9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work