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Assessment of a multi-technical non-invasive approach for the typology of inks, dyes and pigments in two 19th century's ancient manuscripts of Morocco

16 references·12 citing·50 second hopsampled

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References

1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)1,000 cited
2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments282 cited
2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork197 cited
2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment113 cited
2013In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR107 cited
2013Noninvasive Analysis of Paintings by Mid‐infrared Hyperspectral Imaging105 cited
2012SERS detection of red organic dyes in Ag‐agar gel91 cited
2010Raman scattering features of lead pyroantimonate compounds: implication for the non‐invasive identification of yellow pigments on ancient ceramics. Part II. In situ characterisation of Renaissance plates by portable micro‐Raman and XRF studies88 cited
2009Application of the Kubelka—Munk Correction for Self-Absorption of Fluorescence Emission in Carmine Lake Paint Layers86 cited
1997Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy75 cited
2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
2013Non-destructive spectroscopic investigation on historic Yemenite scriptorial fragments: evidence of different degradation and recipes for iron tannic inks

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