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Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich
6 references·0 citing·19 second hop
Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich (2014)Voices, Violence and Meaning: Transformat…“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65 (2012)“Fun, Yes, but Music?” Steve …6 The Problem of the Political in Steve Reich's Come Out (2009)6 The Problem of the Politica…Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain (2005)Curious Intersections, Uncomm…Writings on Music 1965–2000 (2004)Writings on Music 1965–2000White Noise: Race and Erasure in the Cultural Avant-Garde (2001)White Noise: Race and Erasure…Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass (2001)Four musical minimalists: La …Against Interpretation and Other Essays (1966)Rousseau, Jean-Jacques (2004)Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s (2011)15. The Death of the Author (2017)L’interculturalisme à travers le filtre cognitif : comment Gilles Tremblay recompose le gamelan dans Oralléluiants (2018)Music, Encounter, Togetherness (2024)The Sixties: Years of Hope, Days of Rage (1989)Silence : lectures and writings (2011)“The Electric Kool-Aid Acid Test” (2012)Afro-Electric Counterpoint (2019)Rethinking Reich (2019)That’s All It Does (2019)Musical Witness and Holocaust Representation (2015)Performance Practice in the Music of Steve Reich (2016)Balance Problems: Neoliberalism and New Music in the American University and Ensemble (2018)John Cage in Separate Togetherness with Jazz (2012)Come Out to Show the Split Subject: Steve Reich, Whiteness, and the Avant-Garde (2012)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)
this work references cited by second hop

References

  • 2001Four musical minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass113 cited
  • 2001White Noise: Race and Erasure in the Cultural Avant-Garde98 cited
  • 2004Writings on Music 1965–200078 cited
  • 20096 The Problem of the Political in Steve Reich's Come Out47 cited
  • 2005Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain38 cited
  • 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited

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