Making an Anthropological Case: Cognitive Dualism and the Acousmatic

Férdia J. Stone-Davis

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Ethics, Aesthetics, and Art Musicology and Musical Analysis Sound Studies and Aurality

Abstract

Abstract This paper examines Roger Scruton's acousmatic account of music, situating it in relation to the anthropology that accompanies it. It suggests that in order to adequately maintain the anthropology Scruton desires (a cognitive rather than an ontological dualism), and to take full account of the parallel he draws between musical and inter-personal understanding (through gesture), the materiality of music needs to be more fully into his account of musical understanding.

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References

1993Disciplining music: musicology and its canons 2014The Soul of the World 1993Disciplining Music: Musicology and Its Canons 2010Understanding music: philosophy and interpretation 2009Sounds as Secondary Objects and Pure Events 2016Music and Transcendence 2008The Instrumentality of Music

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