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'Miroir Fluide': Messiaen, Debussy, and Cyrano's 'Synaesthetic' Bird
10 references·0 citing·26 second hop
'Miroir Fluide': Messiaen, Debussy, and Cyrano's 'Synaesthetic' Bird (2014)'Miroir Fluide': Messiaen, Debussy, and C…Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux" (2007)Symmetrical Permutation, the …Olivier Messiaen: Music, Art and Literature (2007)Olivier Messiaen: Music, Art …Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók (2007)Multi-Aggregate Cycles and Mu…Rediscovering Messiaen's Invented Chords (2003)Rediscovering Messiaen's Inve…Messiaen’s Triadic Colouration: Modes as Interversion (2002)Messiaen’s Triadic Colouratio…The Messiaen Companion (1995)The Messiaen CompanionMusic and Color - Conversations with Claude Samuel (1995)Music and Color - Conversatio…Interval Cycles as Compositional Resources in the Music of Charles Ives (1990)Interval Cycles as Compositio…The Technique of My Musical Language (1957)The Technique of My Musical L…Technique de mon langage musical (1944)Technique de mon langage musi…A Formal Theory of Generalized Tonal Functions (1982)Composition With Pitch-Classes (1987)Bela Bartok and Turn-of-the-Century Budapest (1998)Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Contextual-Inversion Spaces (2011)Chick Corea and Postbop Harmony (2016)Basic atonal theory (1980)Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives (1996)The New Grove dictionary of music and musicians (2001)Interval Cycles, Affinity Spaces, and Transpositional Networks (2011)Bartók's Polymodality (2015)R econsidering M essiaen as S erialist (2009)Messiaen the Borrower: Recomposing Debussy through the Deforming Prism (2016)Dorsal Monuments: Messiaen, Sellars, and Saint Francis (2011)Situating opera: period, genre, reception (2011)Modernism and Opera (2016)Laus deo? On composers' expression of their spirituality (2005)The Cambridge Companion to Rhythm (2020)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Tempus ex Machina: A composer's reflections on musical time (1987)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)Pitch-Class Set Multiplication in Theory and Practice (1998)Scales, Sets, and Interval Cycles: A Taxonomy (1999)The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (2014)Olivier Messiaen's Catalogue d'oiseaux: From Conception to Performance (2017)Composers’ Appropriation of Pied Butcherbird Song: Henry Tate’s “undersong of Australia” Comes of Age (2011)
this work references cited by second hop

References

  • 1957The Technique of My Musical Language161 cited
  • 1995Music and Color - Conversations with Claude Samuel125 cited
  • 1944Technique de mon langage musical101 cited
  • 2007Multi-Aggregate Cycles and Multi-Aggregate Serial Techniques in the Music of Béla Bartók28 cited
  • 1995The Messiaen Companion22 cited
  • 1990Interval Cycles as Compositional Resources in the Music of Charles Ives22 cited
  • 2007Olivier Messiaen: Music, Art and Literature15 cited
  • 2007Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux"12 cited
  • 2003Rediscovering Messiaen's Invented Chords8 cited
  • 2002Messiaen’s Triadic Colouration: Modes as Interversion6 cited

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