Cherokee and West Africa: Examining the Origins of the Vai Script

Abstract

A cornerstone of the Western intellectual heritage is the fervent belief in the power of the written word to transform man and society. In this tradition, the existence of writing serves as a hallmark for civilization and a marker to separate history from prehistory. While a great deal of scholarly work has dispelled many myths about literacy, thus bridging “the great divide” between the written and the oral, our intellectual and emotional attachment to writing persists. This appears to be especially the case in reference to the origins of writing systems, many of the latter being claimed and reputed to have been “independently invented.” For those peoples most involved historically in such developments, the invention and use of original scripts are points of pride, and hence claims for the “authenticity” of the scripts, that is, for their invention and coming into use having been an entirely indigenous undertaking, are passionately guarded. Historians of writing, however, are cautious of claims for independent invention. From ancient to modern times, the history of the development of writing has been characterized by a balance between “independent invention” and “stimulus diffusion.” While epigraphers and paleographers attempt to unravel the inevitably obscure origins of certain ancient scriptspossiblydevised in environments free from external influence, no script devised in the last two thousand years is likely to have emerged totally independent of the stimulus of some diffused knowledge of the previous history of scripts—at the very least, the mere idea of writing. Nonetheless, for many modern observers, any suggestion of an outside stimulus on the development of such scripts is considered virtual heresy, tantamount to an attack on the intellectual ability of the peoples who claim to have single-handedly devised the scripts.

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