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Cited by

• 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space133 cited
• 2016Making an English Voice: Performing National Identity during the English Musical Renaissance32 cited
• 1993England, 1918–4531 cited
• 2011Canonizing remembrance: music for Armistice Day at the BBC, 1922–723 cited
• 2001Landscape Preservation, ‘advertising disfigurement’, and English National Identity c. 1890–191421 cited
• 1991The lark ascending: monument to a radical pastoral20 cited
• 2006William Glock and the British Broadcasting Corporation's Music Policy, 1959–737 cited
• 2019The Royal College of Music and its Contexts: An Artistic and Social History5 cited
• 2007'Bonnie Sweet Recorder': some issues arising from Arnold Dolmetsch's early English recorder performances3 cited
• 2013The composer and society: family, politics, nation3 cited
• 2019Compositional Artifice in the Music of Henry Purcell2 cited
• 2009W.W. Cobbett's Phantasy: A Legacy of Chamber Music in the British Musical Renaissance2 cited
• 2014"The danger of the disappearance of things"0 cited