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American Indians and the ethnocinematic complex: From native participation to production control
5 references·12 citing·38 second hop
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this work references cited by second hop

References

  • 1986Writing Culture5,616 cited
  • 1972Through Navajo Eyes: An Exploration in Film Communication and Anthropology397 cited
  • 1975Oh What a Blow That Phantom Gave Me!114 cited
  • 1980The Pretend Indians : images of native Americans in the movies106 cited
  • 1973The Stereotyping of North American Indians in Motion Pictures47 cited

Cited by

  • 2004Imperfect media : the poetics of indigenous media in Chile37 cited
  • 2008WEAVING A COMMUNICATION QUILT IN COLOMBIA:35 cited
  • 2000Indigenous media then and now: Situating the Navajo film project34 cited
  • 1998The shaping of Gujarati Cinema: Recognizing the new in traditional cultures29 cited
  • 2010Indigenous MediaSpace and the Production of (Trans)locality on Nicaragua’s Mosquito Coast27 cited
  • 2008“TO BREATHE TWO AIRS”:17 cited
  • 2008OUTSIDE THE INDIGENOUS LENS:15 cited
  • 2008INDIGENOUS MINORITY-LANGUAGE MEDIA:10 cited
  • 2001Edmund Carpenter: Explorations In Media & Anthropology.10 cited
  • 1997Visual or virtual anthropology? In the wilderness of a troubled genre9 cited
  • 2008

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Indigenous Media as an Important Resource for Russia’s Indigenous Peoples
8 cited
  • 1996Taxidermy and Romantic Ethnography4 cited