SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Edogawa Rampo and the Excess of Vision: An Ocular Critique of Modernity in 1920s Japan
1 references·2 citing·9 second hop
Edogawa Rampo and the Excess of Vision: An Ocular Critique of Modernity in 1920s Japan (2005)Edogawa Rampo and the Excess of Vision: A…The Logic of Sense (1969)The Logic of SenseBright Lights, Big City: Lighting, Technological Modernity, and Ozu Yasujirô's Sono Yo No Tsuma (That Night's Wife, 1930) (2014)Bright Lights, Big City: Ligh…Flashes of the Sword and the Star (2013)Flashes of the Sword and the …Overcome by modernity: history, culture, and community in interwar Japan (2001)Atlas of emotion: journeys in art, architecture, and film (2003)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Marxism and Literature (1977)The condition of postmodernity: an enquiry into the origins of cultural change (1990)Techniques of the observer: on vision and modernity in the nineteenth century (1991)New Materialism: Interviews & Cartographies (2012)Researching without representation? Language and materiality in post-qualitative methodology (2013)What is co-creation? An interactional creation framework and its implications for value creation (2017)
this work references cited by second hop

References

  • 1969The Logic of Sense1,221 cited

Cited by

  • 2014Bright Lights, Big City: Lighting, Technological Modernity, and Ozu Yasujirô's Sono Yo No Tsuma (That Night's Wife, 1930)4 cited
  • 2013Flashes of the Sword and the Star0 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work