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Cited by

• 2018Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity45 cited
• 1986String Instrument Intonation in Upper and Lower Registers: The Effects of Accompaniment42 cited
• 1985Wind Instrumentalists' Intonational Performance of Selected Musical Intervals38 cited
• 1998An Examination of the Intonation Tendencies of Wind Instrumentalists Based on Their Performance of Selected Harmonic Musical Intervals37 cited
• 1989An Analysis of String Instrumentalists' Performed Intonational Adjustments Within an Ascending and Descending Pitch Set36 cited
• 1980Pitch, Tempo, and Timbral Preferences in Recorded Piano Music35 cited
• 2006Just Intonation in Renaissance Theory and Practice19 cited
• 1990The Effect of Accidentals, Scale Degrees, Direction, and Performer Opinions on Intonation19 cited
• 2018Eight Artist-Level Violinists Performing Unaccompanied Bach: Are There Consistent Tuning Patterns?15 cited
• 1992A Computer-Based Training Program for Developing Harmonic Intonation Discrimination Skill15 cited
• 2013A Descriptive Analysis of Performance Models’ Intonation in a Recorded Excerpt from Suzuki Violin School Volume I13 cited
• 1975Research in the Performance Practices of Musicians13 cited
• 2002Factors Contributing to Perceived Tuning Independence among Middle School and High School String Players