Indeterminate and Inhuman: Georgette Leblanc in L'Inhumaine (1924)

Maureen G. Shanahan

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Cinema History and Criticism Gender and Feminist Studies French Literature and Criticism

Abstract

L'Inhumaine (Marcel L'Herbier, 1924) permits multiple subversive readings and queer spectatorial positions as a result of Georgette Leblanc's interventions in the narrative, the film's misquoting of post-World War I heterosexual paradigms, and citations to gay, lesbian, and queer figures.

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2011Bodies That Matter 2012The Lesbian and Gay Studies Reader 1992The Straight Mind and Other Essays 1993The queen's throat: opera, homosexuality, and the mystery of desire 1994The apparitional lesbian: female homosexuality and modern culture 1993Enjoy your symptom!: Jacques Lacan in Hollywood and out 1991No Man's Land: The Place of the Woman Writer in the Twentieth Century 1999Camp: Queer Aesthetics and the Performing Subject: A Reader

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