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Popular Music Censorship in Africa
4 references·9 citing·41 second hop
Popular Music Censorship in Africa (2016)Popular Music Censorship in AfricaToward the African Revolution (2021)Toward the African RevolutionUnderstanding Popular Music (2003)Understanding Popular MusicParental Advisory: Music Censorship in America (2001)Parental Advisory: Music Cens…The Parents' Music Resource Center: from information to censorship (1999)The Parents' Music Resource C…Censorship and the Cultural Ambiguities of Singing against Authoritarianism in Zimbabwe: The Case of Winky D’s Popular Music (2021)Censorship and the Cultural A…A Discursive Contextualisation of Hustling in Nigerian Hip-Hop (2021)A Discursive Contextualisatio…On the Origins of Pop Rai (2019)On the Origins of Pop RaiThe making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda (2017)The making of a ‘superstar’: …Popular Music Censorship in Africa: An Overview (2016)Popular Music Censorship in A…Glocalization Trends: The Case of Hiplife Music in Contemporary Ghana (2013)Glocalization Trends: The Cas…“Mr. President”: Musical Open Letters as Political Commentary in Africa (2012)“Mr. President”: Musical Open…Gospel music videos in the counter-memory of post-nation identity in Kenya (2011)Gospel music videos in the co…Lip-synch Gospel: Christian Music and the Ethnopoetics of Identity in Kenya (2010)Lip-synch Gospel: Christian M…Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. (1944)Broadcasting in Africa: A Continental Survey of Radio and Television (1977)Culture and Customs of Rwanda (2007)Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)Speech Genres and Other Late Essays (1986)Publics and Counterpublics (2002)The opportunism of political music culture in democratic Nigeria (2015)Valences of electoral consciousness in the music of democratic Nigeria (2019)Playoff Losses, Mayoral Politics, Image Repair, and Inoculation: Open Letter Sport Communication (2022)Disjuncture and Difference in the Global Cultural Economy (1990)Globalization: Social Theory and Global Culture (2000)The Media Commons: Globalization and Environmental Discourses (2017)African hip hop as a rhizomic art form articulating urban youth identity and resistance with reference to Kenyan genge and Ghanaian hiplife (2019)The Cultural Industries (2019)Glocalisation of Nigerian contemporary hip hop music (2020)We gotta get out of this place: popular conservatism and postmodern culture (1992)Running with the devil: power, gender, and madness in heavy metal music (1993)We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. (1993)Discourse and Documentation: Some Implications for Pedagogy and Research (2001)‘Fight the Power’: The Politics of Music and the Music of Politics (2003)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Cultural Intimacy: Social Poetics in the Nation-State (1996)Publics and counterpublics (2003)MAKING MUSIC, MAKING MONEY: INFORMAL MUSICAL PRODUCTION AND PERFORMANCE IN VENDA, SOUTH AFRICA (2012)THE IRONIES OF POP: LOCAL MUSIC PRODUCTION AND CITIZENSHIP IN A SMALL NAMIBIAN TOWN (2012)“Acholi Youth Are Lost”: Young, Christian and (A)political in Uganda (2017)How To Do Things With Words (1975)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria (1999)Dance performances in post-genocide Rwanda: remaking identity, reconnecting present and past (2017)Noise and Silence in Rwanda’s Postgenocide Religious Soundscape (2018)Unity and struggle: Speeches and writings (1979)The Cluster as Market Organisation (2004)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)“Heritage rock”: Rock music, representation and heritage discourse (2009)Musical preference, deviance, and attitudes towards music celebrities (2005)Living in a Gangsta's Paradise: Dr. C. DeLores Tucker's Crusade Against Gansta Rap Music in the 1990s (2015)United Kingdom “top 5” pop music lyrics (2017)Critical Consciousness, Accountability, and Empowerment: Key Processes for Helping Families Heal (2005)Creolization and Cultural Globalization: The Soft Sounds of Fugitive Power (2007)“After the End Times”: Postcrisis African Science Fiction (2014)
this work references cited by second hop

References

  • 2021Toward the African Revolution471 cited
  • 2003Understanding Popular Music309 cited
  • 1999The Parents' Music Resource Center: from information to censorship120 cited
  • 2001Parental Advisory: Music Censorship in America54 cited

Cited by

  • 2017The making of a ‘superstar’: the politics of playback and live performance in post-genocide Rwanda24 cited
  • 2010Lip-synch Gospel: Christian Music and the Ethnopoetics of Identity in Kenya21 cited
  • 2013Glocalization Trends: The Case of Hiplife Music in Contemporary Ghana19 cited
  • 2012“Mr. President”: Musical Open Letters as Political Commentary in Africa14 cited
  • 2016Popular Music Censorship in Africa: An Overview5 cited
  • 2011Gospel music videos in the counter-memory of post-nation identity in Kenya4 cited
  • 2021A Discursive Contextualisation of Hustling in Nigerian Hip-Hop4 cited
  • 2021Censorship and the Cultural Ambiguities of Singing against Authoritarianism in Zimbabwe: The Case of Winky D’s Popular Music3 cited
  • 2019On the Origins of Pop Rai3 cited

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