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Performing Gender at the Beginning of Modern Chinese Theatre
16 references·0 citing·31 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 2011Bodies That Matter10,356 cited
  • 19994.3 ‘Bodies that Matter’2,036 cited
  • 1996Sex, culture and modernity in China: medical science and the construction of sexual identities in the early Republican period201 cited
  • 2001Acting Like a Woman in Modern Japan187 cited
  • 1993The First English Actresses: Women and Drama 1660-1700109 cited
  • 1995Sex, Culture and Modernity in China108 cited
  • 2005Shakespeare and the Japanese Stage45 cited
  • 2002Acting Like a Woman in Modern Japan: Theater, Gender, and Nationalism. By Ayako Kano. New York: Palgrave Macmillan, 2001. xi, 322 pp. $65.00 (cloth); $24.95 (paper).44 cited
  • 1992The first English actresses30 cited
  • 2016Beautiful Boys/Outlaw Bodies : Devising Kabuki Female-Likeness29 cited
  • 1997Striking Their Own Poses: The History of Cross-Dressing on the Chinese Stage27 cited
  • 2002The Gender of Onnagata as the Imitating Imitated: Its Historicity, Performativity, and Involvement in the Circulation of Femininity27 cited
  • 2003Madame Sadayakko: The Geisha Who Bewitched the West22 cited
  • 2005Beautiful Boys/Outlaw Bodies21 cited

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  • 1980Studies in Kabuki: Its Acting, Music, and Historical Context13 cited
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