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Toward the reconciliation of mathematical theories of voice leading
16 references·0 citing·22 second hop
Toward the reconciliation of mathematical theories of voice leading (2013)Toward the reconciliation of mathematical…Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…Audacious Euphony: Chromaticism and the Triad's Second Nature (2012)Audacious Euphony: Chromatici…Spelled Heptachords (2011)Spelled HeptachordsA geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Signature Transformations (2008)Signature TransformationsGeneralized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…Musical Form and Transformation (2007)Musical Form and Transformati…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…The Geometry of Musical Chords (2006)The Geometry of Musical ChordsScale Networks and Debussy (2004)Scale Networks and DebussyUniform Triadic Transformations (2002)Uniform Triadic Transformatio…Stravinsky and the Octatonic: A Reconsideration (2002)Stravinsky and the Octatonic:…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Maximally Even Sets (1991)Maximally Even SetsVariety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Parsimony and Extravagance (2005)David Lewin and Valhalla Revisited: New Approaches to Motivic Corruption in Wagner'sRingCycle (2007)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Generalized Musical Intervals and Transformations (1988)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)A geometry of music: harmony and counterpoint in the extended common practice (2012)Aspects of Well-Formed Scales (1989)Tonality and transformation (2012)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Schubert’s Harmonic Language and Fourier Phase Space (2015)Tonality (2023)
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References

  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 2006The Geometry of Musical Chords292 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1991Maximally Even Sets203 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 2002Uniform Triadic Transformations118 cited
  • 2008Signature Transformations84 cited
  • 2004Scale Networks and Debussy79 cited
  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 2012Audacious Euphony: Chromaticism and the Triad's Second Nature54 cited
  • 2011Spelled Heptachords47 cited
  • 2007Musical Form and Transformation45 cited

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