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Thermographic study of the illuminations of a 15th century antiphonary
11 references·5 citing·35 second hop
Thermographic study of the illuminations of a 15th century antiphonary (2014)Thermographic study of the illuminations …Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Application of spectroscopic …Use of visible and infrared reflectance and luminescence imaging spectroscopy to study illuminated manuscripts: pigment identification and visualization of underdrawings (2009)Use of visible and infrared r…Integrated reflectography and thermography for wooden paintings diagnostics (2009)Integrated reflectography and…μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)μ-XRF/μ-RS vs. SR μ-XRD for p…A study of medieval illuminated manuscripts by means of portable Raman equipments (2006)A study of medieval illuminat…A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value (2003)A novel hyper-spectral imagin…Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy (1999)Pigment investigation of a la…Identification of pigments on a XV century illuminated parchment by Raman and FTIR microspectroscopies (1999)Identification of pigments on…Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Pigment identification on med…Infrared Reflectography: a Method for the Examination of Paintings (1968)Infrared Reflectography: a Me…Il Libro dell'Arte (1934)Il Libro dell'ArteUnveiling the Invisible in Uffizi Gallery’s Drawing 8P by Leonardo with Non-Invasive Optical Techniques (2021)Unveiling the Invisible in Uf…Combined use of infrared imaging techniques for the study of underlying features in the Santa Maria in Cosmedin altarpiece (2021)Combined use of infrared imag…Mid-wave Infrared Reflectography and Thermography for the Study of Ancient Books: A Review (2020)Mid-wave Infrared Reflectogra…The Boxer at Rest and the Hellenistic Prince: A comparative thermographic study (2019)The Boxer at Rest and the Hel…18th Century knowledge on microbial attacks on parchment: Analytical and historical evidence (2018)18th Century knowledge on mic…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy (2000)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Identification of pigments in different layers of illuminated manuscripts by X-ray fluorescence mapping and Raman spectroscopy (2015)In situ Raman spectroscopy for cultural heritage studies (2021)X-ray fluorescence spectrometry in art and archaeology (2000)Chapter 5 Hyperspectral Imaging: A New Technique for the Non-Invasive Study of Artworks (2007)Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics (2010)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman microscopy in archaeological science (2004)‘It's not easy being green’: a spectroscopic study of green pigments used in illuminated manuscripts (2013)Handheld new technology Raman and portable FT-IR spectrometers as complementary tools for the in situ identification of organic materials in modern art (2017)Cross-Sections and Chemical Analysis of Paint Samples (1956)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Remote spectral imaging with simultaneous extraction of 3D topography for historical wall paintings (2014)VERDIGRIS AND COPPER RESINATE (1970)The Use of Synchrotron Radiation for the Characterization of Artists' Pigments and Paintings (2013)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)The materials and techniques of medieval painting (1956)A History of Illuminated Manuscripts (1987)Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts (2008)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Non-destructive synchrotron X-ray diffraction mapping of a Roman painting (2005)Strontium, a new marker of the origin of gypsum in cultural heritage? (2013)Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics (2001)Micro-Raman identification of the palette of a precious XVI century illuminated Persian codex (2001)Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study (2014)Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Subsurface imaging for panel paintings inspection: A comparative study of the ultraviolet, the visible, the infrared and the terahertz spectra (2015)Thermographic analysis of bronze sculptures (2015)Non-destructive and micro-invasive testing techniques for characterizing materials, structures and restoration problems in mural paintings (2016)
this work references cited by second hop

References

  • 2003A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value133 cited
  • 1968Infrared Reflectography: a Method for the Examination of Paintings125 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 1934Il Libro dell'Arte102 cited
  • 2008μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts87 cited
  • 2012Application of spectroscopic techniques to the study of illuminated manuscripts: A survey75 cited
  • 1999Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy73 cited
  • 2006A study of medieval illuminated manuscripts by means of portable Raman equipments72 cited
  • 2009Integrated reflectography and thermography for wooden paintings diagnostics72 cited
  • 1999Identification of pigments on a XV century illuminated parchment by Raman and FTIR microspectroscopies68 cited
  • 2009Use of visible and infrared reflectance and luminescence imaging spectroscopy to study illuminated manuscripts: pigment identification and visualization of underdrawings37 cited

Cited by

  • 201818th Century knowledge on microbial attacks on parchment: Analytical and historical evidence27 cited
  • 2020Mid-wave Infrared Reflectography and Thermography for the Study of Ancient Books: A Review

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22 cited
  • 2021Combined use of infrared imaging techniques for the study of underlying features in the Santa Maria in Cosmedin altarpiece13 cited
  • 2019The Boxer at Rest and the Hellenistic Prince: A comparative thermographic study10 cited
  • 2021Unveiling the Invisible in Uffizi Gallery’s Drawing 8P by Leonardo with Non-Invasive Optical Techniques9 cited