From Yao Wenyuan to Cui Zi'en: film, history, memory

Paul G. Pickowicz

17 citations0/0 files storedJournal of Chinese Cinemas

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Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Abstract

This essay discusses the various ways in which scholars have approached old and new Chinese cinema during the last 35 years. Adopting the perspective of a historian rather than the perspective of a film studies scholar, the essay points to significant breakthroughs in scholarship on Chinese cinema, but dwells on a wide range of problems still facing researchers. The essay takes the form of the author's personal reflection on the development of the Chinese film field, and concludes with an endorsement of multidisciplinary research strategies and methodological flexibility.

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References

2004Chinese National Cinema 1995Urban Spaces in Contemporary China: The Potential For Autonomy And Community In Post-Mao China 2005An Amorous History of the Silver Screen: Shanghai Cinema, 1896-1937 2000Cinema and urban culture in Shanghai, 1922-1943 2017Transnational Chinese Cinemas 1989Chinese cinema: culture and politics since 1949 2007From underground to independent: alternative film culture in contemporary China 1994From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China

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