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Symbol and Ritual in Josquin's "Missa Di Dadi"
13 references·6 citing·28 second hop
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this work references cited by second hop

References

  • 1996Painting and Experience in Fifteenth Century Italy.475 cited
  • 1969Painting and Experience in Fifteenth Century Italy403 cited
  • 1999The waning of the Middle Ages369 cited
  • 1980A Dictionary of the Middle Ages285 cited
  • 1987Dictionary of the Middle Ages224 cited
  • 2019Early Netherlandish Painting220 cited
  • 1986Music in Late Medieval Bruges159 cited
  • 1973Witchcraft in the Middle Ages142 cited
  • 1984Witchcraft in the Middle Ages130 cited
  • 1952Painting in Florence and Siena after the Black Death90 cited
  • 1946Laudes Regiae: A Study in Liturgical Acclamations and Mediaeval Ruler Worship88 cited
  • 1978Representations of the Mass in Medieval and Renaissance Art30 cited
  • 1981Toward an Interpretation of the Sixteenth-Century Motet30 cited

Cited by

  • 1991Computing in musicology, 1966?9124 cited
  • 2003The Origins and Early History of L'homme armé17 cited
  • 2013The One Who Comes After Me6 cited
  • 1993

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Intertextuality and Compositional Process in Two Cantilena Motets by Hugo de Lantins
5 cited
  • 2001FURTHER OBSERVATIONS ON STACKED CANON AND RENAISSANCE COMPOSITIONAL Procedure: Gascongne'sISTA EST SPECIOSAAND Forestier'sMISSA L'homme Arme4 cited
  • 2010Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music3 cited