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Modern Drama and the Rhetoric of Theater
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Modern Drama and the Rhetoric of Theater (1996)Modern Drama and the Rhetoric of TheaterWriting and the Modern Stage: Theater beyond Drama (2017)Writing and the Modern Stage:…Shakespeare Performance Studies (2017)Shakespeare Performance Studi…Caught in the Act: Photography on the Victorian Stage (2016)Caught in the Act: Photograph…Theater of the Holy: Performative Elements of Late Ancient Hymnography (2015)Theater of the Holy: Performa…The Philosopher, the Playwright, and the Actor: Friedrich Nietzsche and the Modern Drama's Concept of Performance (2012)The Philosopher, the Playwrig…Holocaust drama: the theater of atrocity (2009)Holocaust drama: the theater …Toward a Rhetoric of Sociospatial Theatre: José Rivera's Marisol (2007)Toward a Rhetoric of Sociospa…North American Passion Plays: “The Greatest Story Ever Told” in the New Millenium (2006)North American Passion Plays:…A critical analysis of the California state railroad museum's orientation films (2003)A critical analysis of the Ca…Reconsidering Stanislavsky: Feeling, Feminism, and the Actor (2002)Reconsidering Stanislavsky: F…Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage (2000)Oleanna and The Children's Ho…Self-Consuming Artifacts: Power, Performance and the Body in Tennessee Williams' Suddenly Last Summer (1995)Self-Consuming Artifacts: Pow…Between Theater and Anthropology (1985)Beyond Ethnicity: Consent and Descent in American Culture (1986)Declining the Stereotype: Ethnicity and Representation in French Cultures (2002)Playing God: the Bible on the Broadway stage (2016)Self-Consuming Artifacts: The Experience of Seventeenth-Century Literature (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)Frame Analysis: An Essay on the Organization of Experience. (1975)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)5. The Practice of Everyday Life (2000)The other side of the tracks: railroads, race, and the performance of unity in nineteenth-century American entertainment (2006)An Actor Prepares (1936)Sexing the body: gender politics and the construction of sexuality (2000)The feeling of what happens: body and emotion in the making of consciousness (2000)Rage Slaves: The Commodification of Affect in the Five Lesbian Brothers’ The Secretaries (2008)Katie Mitchell: Feminist Director as Pedagogue (2017)The Gay Science (1882)Nietzsche and Philosophy (1984)The Philosophical Discourse of Modernity: Twelve Lectures. (1987)The jeweled style: poetry and poetics in late antiquity (1989)The Ancient Synagogue: The First Thousand Years (2001)Progymnasmata: Greek Textbooks of Prose Composition and Rhetoric (2004)With One Voice: Elements of Acclamation in Early Jewish Liturgical Poetry (2018)Soundscapes of Salvation (2019)Unmarked: The Politics of Performance (1994)Camera Lucida: Reflections on Photography (2001)Regarding the pain of others (2003)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)How To Do Things With Words (1975)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Shakespeare, Technicity, Theatre (2020)Hitler's Willing Executioners: Ordinary Germans and the Holocaust (1996)Remnants of Auschwitz: The Witness and the Archive (1999)Through a Glass Darkly: Information Technology Design, Identity Verification, and Knowledge Contribution in Online Communities (2007)Life on the Screen: Identity in the Age of the Internet (1997)Metaphors We Live By (2003)"A whole theater of others": Amateur Acting and Immersive Spectatorship in the Digital Shakespeare Game Play the Knave (2016)Shakespeare / Not Shakespeare: Afterword (2017)A Rogue and Pleasant Stage: Performing Ecology in Outdoor Shakespeares (2018)
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Cited by

  • 2017Writing and the Modern Stage: Theater beyond Drama20 cited
  • 2017Shakespeare Performance Studies20 cited
  • 2015Theater of the Holy: Performative Elements of Late Ancient Hymnography17 cited
  • 2016Caught in the Act: Photography on the Victorian Stage16 cited
  • 2002Reconsidering Stanislavsky: Feeling, Feminism, and the Actor10 cited
  • 2006North American Passion Plays: “The Greatest Story Ever Told” in the New Millenium10 cited
  • 2009Holocaust drama: the theater of atrocity9 cited
  • 1995Self-Consuming Artifacts: Power, Performance and the Body in Tennessee Williams' Suddenly Last Summer7 cited
  • 2003A critical analysis of the California state railroad museum's orientation films6 cited
  • 2012The Philosopher, the Playwright, and the Actor: Friedrich Nietzsche and the Modern Drama's Concept of Performance5 cited
  • 2007Toward a Rhetoric of Sociospatial Theatre: José Rivera's Marisol5 cited
  • 2000Oleanna and The Children's Hour: Misreading Sexuality on the Post/Modern Realistic Stage5 cited

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