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The Arnold Schoenberg Companion
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The Arnold Schoenberg Companion (1999)The Arnold Schoenberg CompanionLiquidation and Its Origins (2019)Liquidation and Its OriginsNew World, Old World: Schoenberg Now and Then (2015)New World, Old World: Schoenb…An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms (2004)An Application of the Grundge…‘…my duty to defend the truth’: Erich Schmid in Schoenberg's Berlin Composition Class (2001)‘…my duty to defend the truth…Fundamentals of Musical Composition (1968)Developing Variations: Style and Ideology in Western Music (1993)The Cambridge Companion to Brahms (1999)Simbologia e hereditariedade na formação de uma Grundgestalt: a primeira das Quatro Canções Op.2 de Berg (2013)Considerações sobre a análise de Grundgestalt aplicada à música popular (2014)Concerning the Spiritual in Art (1977)A circumplex model of affect. (1980)Music—Drastic or Gnostic? (2004)Alban Berg's Op. 5/2 and the Concept of Recomposition (2024)Style and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea. Selected Writings of Arnold Schoenberg (1976)Perspectives of New Music (1963)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben” (2023)
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  • 2019Liquidation and Its Origins6 cited
  • 2004An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms4 cited
  • 2015New World, Old World: Schoenberg Now and Then3 cited
  • 2001‘…my duty to defend the truth’: Erich Schmid in Schoenberg's Berlin Composition Class2 cited

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