Notes on four major paradigms in Chinese-language film studies

Sheldon H. Lu

7 citations0/0 files storedJournal of Chinese Cinemas

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Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Abstract

This article examines four major critical paradigms in contemporary Chinese- language cinema studies. It traces the genesis, characteristics, strengths and limitations of each of these theoretical models. Moreover, the author proposes a definition of Sinophone that includes rather than excludes mainland China.

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2007Visuality and IdentitySinophone Articulations across the Pacific 2009World Cinemas, Transnational Perspectives 2006Transnational cinema : the film reader 2004Chinese National Cinema 2006China on screen: cinema and nation 2004Global Literature and the Technologies of Recognition 2006Theorising National Cinema 1998Transnational Chinese cinemas: identity, nationhood, gender

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