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1 Whose Magic Flute? Intimations Of Reality At The Gates Of The Enlightenment
16 references·6 citing·28 second hop
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this work references cited by second hop

References

  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1982The Dialogic Imagination: Four Essays7,540 cited
  • 2020Rabelais and his world3,421 cited
  • 1972Sincerity and Authenticity2,106 cited
  • 1984Literary Theory: An Introduction2,078 cited
  • 1994Critique of Judgment1,599 cited
  • 1963The Great Chain of Being867 cited
  • 1984On Deconstruction. Theory and Criticism after Structuralism815 cited
  • 1977Introduction to the Sociology of Music.663 cited
  • 1984Literary Theory: An Introduction559 cited
  • 1986The Responsibility of Forms: Critical Essays on Music, Art, and Representation432 cited
  • 1983On Deconstruction: Theory and Criticism After Structuralism413 cited
  • 1974Princeton Encyclopedia of Poetry and Poetics345 cited
  • 1976Philosophy of Modern Music314 cited
  • 1974Philosophy of Modern Music270 cited
  • 1966The Letters of Mozart and His Family.246 cited

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  • 2019

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Class, Control, and Classical Music
248 cited
  • 2015The musical body : how gender and class are reproduced among young people playing classical music in England30 cited
  • 1996The Queen of the Night and the Crisis of Allegory in The Magic Flute18 cited
  • 2010The Dance of the Dead Rhino: William Kentridge’s Magic Flute15 cited
  • 2005The Shadow of Opera: Dramatic Narrative and Musical Discourse in Gawain3 cited
  • 2020Panpipes and clubs: early images of Tanna Islanders1 cited