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‘You've got to go to gigs to get gigs’: Indie musicians, eclecticism and the Brisbane scene
16 references·16 citing·31 second hopsampled
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(2005)What Is Indie Rock?Site and Sound: Understanding Independent Music Scenes (2004)Site and Sound: Understanding…Pig City: From the Saints to Savage Garden (2004)Pig City: From the Saints to …Site and sound : understanding independent music scenes (2003)Site and sound : understandin…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Post-Punk's attempt to democr…Rock Culture in Liverpool (1992)Rock Culture in LiverpoolRock Culture in Liverpool (1992)Rock Culture in LiverpoolProducing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…Systems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…The Hidden Musicians: Music-Making in an English Town. (1990)The Hidden Musicians: Music-M…The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…Mystery Train: Images of America in Rock 'n' Roll Music (1977)Mystery Train: Images of Amer…Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands (2021)Valuing value in urban live m…The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry (2021)The working life of musicians…The Value of Small Live Music Venues: Alternative Forms of Capital and Niche Spaces of Cultural Production (2021)The Value of Small Live Music…How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic (2021)How the Central Sydney indepe…Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces (2020)Original live music venues in…Whose riot? Collective memory of an iconic event in a local music scene (2018)Whose riot? 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References

  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1977Mystery Train: Images of America in Rock 'n' Roll Music255 cited
  • 1997Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade198 cited
  • 1992Rock Culture in Liverpool191 cited
  • 2005What Is Indie Rock?138 cited
  • 2003Site and sound : understanding independent music scenes80 cited
  • 2017White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock74 cited
  • 2004Site and Sound: Understanding Independent Music Scenes70 cited
  • 1992Rock Culture in Liverpool61 cited
  • 2004Pig City: From the Saints to Savage Garden47 cited
  • 2008White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock

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44 cited

Cited by

  • 2017North from here: the collaboration networks of Finnish metal music genre superstars57 cited
  • 2021The working life of musicians: mapping the work activities and values of early-career pop musicians in the Dutch music industry44 cited
  • 2013Brand value: how affective labour helps create brands37 cited
  • 2012Gatekeeping Night Spaces: the role of booking agents in creating ‘local’ live music venues and scenes32 cited
  • 2011“I Tote and I Vote”: Australian live music and cultural policy23 cited
  • 2021The Value of Small Live Music Venues: Alternative Forms of Capital and Niche Spaces of Cultural Production22 cited
  • 2020Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces21 cited
  • 2012Valuing Independence: Esteem Value and Its Role in the Independent Music Scene17 cited
  • 2016In the Scattered Fields of Memory16 cited
  • 2018Whose riot? Collective memory of an iconic event in a local music scene15 cited
  • 2021Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands13 cited
  • 2013Music Business and the Experience Economy12 cited
  • 2021How the Central Sydney independent musicians use pre-established ‘online DIY’ to sustain their networking during the COVID-19 pandemic8 cited
  • 2014In Search of ‘Independent’ Brisbane: Music, Memory, and Cultural Heritage7 cited
  • 2016Sophisticated Lady7 cited
  • 2018Gateways and corridors: Cultural and spatial challenges and opportunities for live music on Australia's Gold Coast5 cited