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Performance Practices of the Seventeenth and Eighteenth Centuries
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Performance Practices of the Seventeenth and Eighteenth Centuries (1996)Performance Practices of the Seventeenth …“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice (2018)“L’Ornement mystérieux” and M…The dimensions of baroque music performance: a semantic differential study (2006)The dimensions of baroque mus…Between theory and practice: comparative study of early music performances (2006)Between theory and practice: …Cultural Contexts of Exclusion: Women College Band Directors (2003)Cultural Contexts of Exclusio…Outsiders; studies in the sociology of deviance (1963)Men and Women of the Corporation. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)The Personal and Professional Life Experiences of Three Lesbian Middle and High School Instrumental Band Conductors. (2012)Singing while female: A narrative study on gender, identity & experience of female voice in cis, transmasculine & non-binary singers (2019)Issues Facing Female Band Directors at the High School and College Levels: A Review of Literature (2022)The Interpretation of Music (1955)Contemplating Music: Challenges to Musicology (1989)Text and act: essays on music and performance (1996)Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998 (2011)Analysis of Contemporary Violin Recordings of 19th Century Repertoire: Identifying Trends and Impacts (2018)The Measurement of Meaning (1957)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)A BaroqueTräumerei: The Performance and Perception of two Violin Renditions (2010)A autoetnografia como método de investigação artística sobre a expressividade na performance pianística (2017)Musical Meaning and Expression (2020)Enhancing Music Performance Appraisal (2022)Essay on the True Art of Playing Keyboard Instruments (1949)Performance practices of the seventeenth and eighteenth centuries (1994)The New Grove dictionary of music and musicians (2001)
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  • 2006The dimensions of baroque music performance: a semantic differential study22 cited
  • 2003Cultural Contexts of Exclusion: Women College Band Directors19 cited
  • 2006Between theory and practice: comparative study of early music performances12 cited
  • 2018“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice3 cited

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