Sowing the seeds/setting the stage: Steichen, Stieglitz and The Family of Man

Abstract

The origins of Steichen's utopian image of family went deep into the artist's past; informed in part by Steichen's relationship with Alfred Stieglitz and his circle, and grounded in Romantic and Symbolist elements that reached back to Europe. This paper considers distinctive features of The Family of Man and connects them to Steichen's philosophical and aesthetic roots.

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