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A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects
1 references·16 citing·45 second hop
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References

  • 2000Analysis of art objects using a portable x-ray fluorescence spectrometer112 cited

Cited by

  • 2016Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience86 cited
  • 2019Recent progress in instrumental techniques for architectural heritage materials79 cited
  • 2012The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France78 cited
  • 2010SANDRA: a portable XRF system for the study of Mexican cultural heritage77 cited
  • 2014First use of portable system coupling X-ray diffraction and X-ray fluorescence for in-situ analysis of prehistoric rock art77 cited
  • 2009Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems71 cited
  • 2009Combined use of FORS, XRF and Raman spectroscopy in the study of mural paintings in the Aosta Valley (Italy)65 cited
  • 2011XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations64 cited
  • 2010Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art60 cited
  • 2011Portable X-ray powder diffractometer for the analysis of art and archaeological materials60 cited
  • 2010Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopy59 cited
  • 2019X-Ray Computed Tomography In Situ: An Opportunity for Museums and Restoration Laboratories

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59 cited
  • 2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
  • 2019X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications54 cited
  • 2012The first in situ micro-Raman spectroscopic analysis of prehistoric cave art of Rouffignac-St-Cernin, France51 cited
  • 2011Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations51 cited