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Progress in the application of ATR-FTIR microscopy to the study of multi-layered cross-sections from works of art
7 references·9 citing·42 second hop
Progress in the application of ATR-FTIR microscopy to the study of multi-layered cross-sections from works of art (2008)Progress in the application of ATR-FTIR m…Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Attenuated Total Reflection–F…ATR-FTIR imaging of albumen photographic prints (2007)ATR-FTIR imaging of albumen p…Preparation Methods and Accessories for the Infrared Spectroscopic Analysis of Multi-Layer Paint Films (2004)Preparation Methods and Acces…A New Methodology for Accelerated Corrosion Testing (2003)A New Methodology for Acceler…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1 (1989)Artists' Pigments. 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Application to archaeological Aztec Samples (2018)An analytical strategy based …Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood (2015)Synchrotron DUV luminescence …Methodology for infrared spectroscopy analysis of sandwich multilayer samples of historical materials (2014)Methodology for infrared spec…Comparison of oil and egg tempera paint systems using time-of-flight secondary ion mass spectrometry (2014)Comparison of oil and egg tem…Microanalysis of artworks: IR microspectroscopy of paint cross-sections (2010)Microanalysis of artworks: IR…Studies of Lead Corrosion in Acetic Acid Environments (1998)The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint (2003)An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings (2015)The Keepers of Light: A History & Working Guide to Early Photographic Processes (1979)Cracking in albumen photographs: An ESEM investigation (1993)Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy (2006)Collection and detection of latent fingermarks contaminated with cosmetics on nonporous and porous surfaces (2009)Macro-ATR-FT-IR spectroscopic imaging analysis of paint cross-sections (2010)Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy (2010)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)The Characterization of Metal Soaps (2003)ATR-FT-IR spectroscopy in the region of 500–230 cm−1 for identification of inorganic red pigments (2009)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Identification of proteins in painting cross-sections by immunofluorescence microscopy (2008)Degradation of azurite in mural paintings: distribution of copper carbonate, chlorides and oxalates by SRFTIR (2010)Statistics and Chemometrics for Analytical Chemistry (2005)Nontargeted Pattern Recognition in the Search for Pyrolysis Gas Chromatography/Mass Spectrometry Resin Markers in Historic Lacquered Objects (2019)New results in ancient Maya rituals researches: The study of human painted bones fragments from Calakmul archaeological site (Mexico) (2020)Modeling Chemical Tests and Fiber Identification of Paper Materials Using Principal Component Analysis and Specular Reflection FTIR Data (2022)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)An integrated analytical approach for the characterization of repainted wooden statues dated to the fifteenth century (2020)Impact of organic binders on the carminic-colorants stability studied by: ATR-FTIR, VIS and colorimetry (2020)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Conservation of Easel Paintings (2013)Compositional and Morphological Comparison among Three Coeval Violins Made by Giuseppe Guarneri “del Gesù” in 1734 (2021)Correlation between surface roughness and spectral features in IR-reflection spectroscopy (2021)Study of a surface coating present on a Renaissance Piety from the Museum of Ancient Art (Castello Sforzesco, Milan) (2021)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of pigments by multispectral imaging; a flowchart method (2014)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)
this work references cited by second hop

References

  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 1970VERDIGRIS AND COPPER RESINATE144 cited
  • 2003A New Methodology for Accelerated Corrosion Testing110 cited
  • 1989Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1105 cited
  • 2007Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections84 cited
  • 2007ATR-FTIR imaging of albumen photographic prints56 cited
  • 2004Preparation Methods and Accessories for the Infrared Spectroscopic Analysis of Multi-Layer Paint Films54 cited

Cited by

  • 2020Surface and Interface Treatments on Wooden Artefacts: Potentialities and Limits of a Non-Invasive Multi-Technique Study28 cited
  • 2019Application of ATR-FTIR mapping to identification and distribution of pigments, binders and degradation products in a 17th century painting27 cited
  • 2018An analytical strategy based on Fourier transform infrared spectroscopy, principal component analysis and linear discriminant analysis to suggest the botanical origin of resins from Bursera. Application to archaeological Aztec Samples23 cited
  • 2021Mapping at the nanometer scale the effects of sea-salt derived chlorine on cinnabar and lead white by using delayed image extraction in ToF-SIMS19 cited
  • 2021Organic Remains in Early Christian Egyptian Metal Vessels: Investigation with Fourier Transform Infrared Spectroscopy and Gas Chromatography–Mass Spectrometry18 cited

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  • 2015Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood17 cited
  • 2014Comparison of oil and egg tempera paint systems using time-of-flight secondary ion mass spectrometry15 cited
  • 2014Methodology for infrared spectroscopy analysis of sandwich multilayer samples of historical materials13 cited
  • 2010Microanalysis of artworks: IR microspectroscopy of paint cross-sections11 cited