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Disorderly categories in picture postcards from Colonial Papua and New Guinea
13 references·1 citing·34 second hop
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this work references cited by second hop

References

  • 1997Vision, Race, and Modernity1,018 cited
  • 1985Propaganda and Empire: The Manipulation of British Public Opinion, 1810-1960589 cited
  • 1998Vision, Race, and Modernity: A Visual Economy of the Andean Image World339 cited
  • 1995Prehistories of the future : the primitivist project and the culture of modernism320 cited
  • 1990Photographic “types”: The pursuit of method135 cited
  • 1999Delivering Views: Distant Cultures in Early Postcards117 cited
  • 2017Displaying Filipinos: Photography and Colonialism in Early 20th Century Philippines66 cited
  • 1997The Covenant Makers: Islander Missionaries in the Pacific62 cited
  • 1999Picturing Imperial Power56 cited
  • 1991Early Photography in Samoa34 cited
  • 1998Photography, National Identity, and the "Cataract of Times": Wartime Images and the Case of Japan34 cited
  • 2000Art and performance in Oceania32 cited
  • 1997Photography: An Independent Art Photographs from the Victoria and Albert Museum 1839-19968 cited

Cited by

  • 2010Introduction: Anthropology, Photography and the Archive61 cited

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