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This essay discusses the creation ofwayang wahyu—a Catholic form of shadow theatre in central Java—and its relation to Church politics of inculturation. It presents a short history and an analysis of performance practice of this unique Christian theatre.
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Stored only when both papers are in the corpus — 9 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.